A Quote by Jenny Lawson
Even at age 10, I already knew that I was different from most people. My anxiety disorder was still years from being diagnosed, but it affected me quite deeply. I was too afraid to speak out in class, too nervous to make real friends.
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I was a painfully shy, awkward kid, with low self-esteem and almost no social skills. Online, I didn't have a problem talking to people or making friends. But in the real world. interacting with other people - especially kids my own age - made me a nervous wreck. I never knew how to act or what to say, and when I did work up the courage to speak, I always seemed to say the wrong thing.
I don't get too, like, you know, freaked out or nervous around famous people. But for some reason, Yvonne Orji is just one of those people where I'm like, I'm too - I would be too nervous to meet her.
I'm not sure when exactly I knew I was funny, but I always knew I was different. I never had an 'edit' button and would say whatever came into my head. Most of the time, what came out of my mouth was the very thing everyone else was thinking - but too polite or afraid to verbalize.
I was friends with all different people and all different groups. And that led me to being friends with a few people who didn't even go to my school. Now I have the most amazing collection of friends of all ethnic backgrounds and upbringing and financial backgrounds.
My mom always let me watch movies that were probably slightly too mature for my age, but she wanted me to see different stories. We grew up with quite a hard life, so she wasn't afraid to show me that in movies.
I was friends with all different people and all different groups. And that led me to being friends with a few people who didnt even go to my school. Now I have the most amazing collection of friends of all ethnic backgrounds and upbringing and financial backgrounds.
My dementia hasn't just affected me - it's affected my friends and family, too.
My friends were the class clowns, but I was the one in class doing Michael Jordan or teachers for no reason. I've always been amazing at impersonating real people, too, rather than celebrities.
At school I got harassed so badly for being too tall, too thin, too pale - too everything that has gotten me where I am now, which is quite ironic.
I'm not comfortable being around too many people. I don't like being out in public too much. I don't like going to bars. I don't like doing celebrity stuff. So most of the characters I play are people who don't always feel comfortable beyond their small circle of friends.
I was always told that I was too strange or that I was too cheesy by different groups of people, like the record companies said I was way too weird and the indie people wouldn't even let me in their band.
I knew from an early age that people didn't see the different sides of me. I formulated a kind of bi-cultural identity quite early, and I was always very comfortable with it, but I knew people didn't quite see that.
I became quite a diva, and intolerant, and people knew when I was not pleased. Some people were afraid of me, and other people just kind of blew me off. But I wasn't making any friends. I only had one person who remained my friend, and he was my boyfriend for a while. Even though I told him I was gay, he was like, 'That's alright.'
Here is my biggest takeaway after 60 years on the planet: There is great value in being fearless. For too much of my life, I was too afraid, too frightened by it all. That fear is one of my biggest regrets.
As the original 'Mary Poppins' budget of five million dollars continued to grow, I never saw a sad face around the entire Studio. And this made me nervous. I knew the picture would have to gross 10 million dollars for us to break even. But still there was no negative head-shaking. No prophets of doom. Even Roy was happy. He didn't even ask me to show the unfinished picture to a banker. The horrible thought struck me - suppose the staff had finally conceded that I knew what I was doing.
The real American type can never be a ballet dancer. The legs are too long, the body too supple and the spirit too free for this school of affected grace and toe walking.
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