My mother had a great vinyl collection, and she was constantly playing female singer-songwriters. I first learned about classic song structures by listening to them, and Laura Nyro particularly stood out. Her voice was outside what you'd usually hear on the radio; that really appealed to me.
I first heard Laura Branigan sing live in my brother Nesuhi's apartment, where we had gone because he had a very good piano. I immediately realized that she had a great pop voice, in the classical sense. Laura had an instinctive feel for music and melody, and her delivery was sensational. Everybody at Atlantic knew that we had a winner in this young lady, and she came through with great hits that will be remembered for many years to come. I consider Laura to be one of my best signings, and I am proud to have had such a great singer in my career in the record business. We miss her dearly.
I find it quite boring when you're listening to radio, and it's the same kind of voice that's on every song on the radio. You can't really tell a lot about that singer as a storyteller and about the singer from what they're singing.
I came along with that crowd of singer-songwriters who were able to make their own statements in such a personal way that it changed the industry: Laura Nyro, Joni Mitchell, Bob Dylan, Sly and the Family Stone.
The song "This Is Not Surreal," was inspired by a painter I love, Frida Kahlo. She really did suffer for her art. She speaks to me. She was brutally honest in her work. At that time in fine art, you really didn't see many female artists expressing that. She was such a strong female presence, and I really look up to her. She had a lot of physical pain.
I feel like you have to constantly keep proving yourself, and you have to constantly keep getting out there and showing them you're more than just that one song on the radio that's just playing. And that's what I had to do the first time around; I had to keep going out there and keep performing live.
My mother lived her life through movies and books - she read everything there was to read. And she read to me every night. I never went to sleep without her reading to me. And she fantasized about the book and she would talk about it, the place, and you would think that after she read the book and after she told you stories about it, that she had actually been there. I learned about story from her, and I learned the value of a great story, and the value of great characters.
I am one of the biggest Laura Nyro fans. I still listen to that stuff incessantly. Laura Nyro does not belong in the Rock and Roll Hall of Fame. Songwriter Hall of Fame? Absolutely.
I was working on other things and I wanted to make a film, and I had some ideas brewing in my head. Brandy's [ Burre] circumstance was such that I didn't really know what was going to happen. That was obviously a surprise, but I knew she was in her mid-to-late thirties and she was starting to really think about her life in a way that really appealed to me, appealed to the women that I know in my life.
Her eyes were distant, and she seemed to be listening to that voice that first told her the story, a mother, sister, or aunt. Then her voice, like her singing, cut through the crickets and crackling fire.
It has nothing to do with [Renee] being a female or not, it has to do with her being the right person for the job. She’s got a great voice that cuts through the clutter. She is very knowledgeable about WWE, about its history, about the talent and she is really willing to step up and do her homework. I think you’re going to see her grow. You’re going to see her jump on this challenge to become a regular fixture and a regular voice and, hopefully, maybe one day the voice of WWE.
I had always assumed we had an unspoken understanding about these things: that she didn't really mean I was a failure, and I really meant I would try to respect her opinions more. But listening to Auntie Lin tonight reminds me once agian: My mother and I never really understood one another. We translated each other's meanings and I seemed to hear less than what was said, while my mother heard more. No doubt she told Auntie Lin I was going back to school to get a doctorate.
IU and I hosted a music program together, and she had told me that she would be writing a song for me. My fans call me 'Peach,' so when her new song came out, I called to ask her about it, and she confirmed that the song was for me.
So your strength is failing you? Why don't you tell your mother about it? ... Mother! Call her with a loud voice. She is listening to you; she sees you in danger, perhaps, and she-your holy mother Mary-offers you, along with the grace of her son, the refuge of her arms, the tenderness of her embrace ... and you will find yourself with added strength for the new battle.
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
She had died peacefully, in her sleep, after an evening of listening to all of her favorite Fred Astaire songs, one crackling record after another. Once the last chord of the last piece had died out, she had stood up and opened the French doors to the garden outside, perhaps waiting to breathe in the honeysuckle one more time.
I had to come out to my mother three times over a twelve-year period, but I first came out to her when I was sixteen. It didn't go over so well, because I grew up in the Pentecostal Church. It was a very strict environment. She has since done a lot of work and has really blown my mind. She has learned about my life and has changed her mind.