A Quote by Jenny Lewis
When something is coming off of a Neve board and being laid down on tape, it's like a warm blanket for the brain. When you're working in a digital form, it's so harsh; it's almost painful. Your ears get more fatigued if you're mixing all day.
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I've been trying to make records and I describe it almost like a "movie for your ears" where it's a little unconventional in its shape and form, but there's something that's intriguing in keeping you wanting to wait and see the next frame of film, except in here what's coming around the corner for your ears.
It is like having a blanket that is too small for the bed, you pull the blanket up to keep your chest warm, and your feet stick out. I cannot buy a bigger blanket because the supermarket is closed. But the blanket I have is made of cashmere. So it's good.
My ears won't fool me. Even when I do a session on digital, we still warm it up somewhere in the process, in mastering or mixing, running the signal through some tubes somewhere.
As you get older, you start to read the game more, and as your brain starts working more, and as you get a good footballing brain, your legs start slowing down!
There's virtually nothing to stop the cold air from off of Hudson Bay from flowing down across the midlands. So you get good contrast: the warm air coming up -- the cold air coming down -- and where they meet is your typical frontal location.
Being a conservative union member is almost like being an actor in Hollywood: You don't dare say it, or you might be injured on the job, or you might be laid off, or your family might have something happen to them.
This business of really knowing people, deep down, including your own self, it is not something you can learn in school or from a book. It takes your whole being to do it—your eyes and your ears, your brain and your heart. Maybe your heart most of all. —Bobby Goodspeed
A book coming out into the world can be a harsh, harsh time. And your feelings are on the line. Everything that publication is about is really not what your writing is about. Your writing is coming out of something else, and publication and being in the public are something else. And those of us who have published, in whatever way we're published, are very fortunate.
If the greenhouse effect is a blanket in which we wrap ourselves to keep warm, nuclear winter kicks the blanket off.
They'll try to apply the rules of the day to the game, where you can't touch your board with your hands, or you can't step off your board, etc and I want nothing to do with it. It's like a game from a different planet or something and it's hard for me to relate to anybody who would think of skateboarding in such a narrow way.
What I like about narrative in general is when there is some incongruity between the form and content. Let's say, mixing up the gothic with a coming-of-age narrative. Telling a love story that's also a monster story. Mixing up superhero tropes with your monster tropes. I like category confusion.
You get mentally fatigued and you get physically fatigued, too. Usually that's when bad things happen on the ice and then you're more at risk for injury.
Science has done absolutely nothing about noise. The worst design flaw in the human body is that you can't close your ears. The reason you can't close your ears is, if a lion was coming, you had to wake up. Today no lions are coming. Beeping trucks are coming. I read the other day that the guy who invented the beep when trucks go backward, he died. I thought: Of course - he dies, I have to listen to it.
I work with digital audio, which is like sculpting, a form of chiseling down metal or wood. And I take audio and move it back and forth between the analog and digital realms and work with it almost like a plastic art until it takes forms in different shapes. And I use those figurines that come out of that type of work.
I find that a lot of the good acting comes out when you're physically being pushed: your brain turns off and just deals with the situation at hand. You get to a point where you're exhausted at the end of the day, but I quite like that.
The tape measure doesn't lie. Get that tape measure out and put it on your hips and your waist. Keep checking it. And keep exercising and cutting those calories down until that tape measure gets close to where you were in your prime.
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