A Quote by Jenny Lewis

There's always a bit of fiction in everything that I write. — © Jenny Lewis
There's always a bit of fiction in everything that I write.
There's basically an element of fiction in everything you remember. Imagination and memory are almost the same brain processes. When I write fiction, I know that I'm using a bunch of lies that I've made up to create some form of truth. When I write a memoir, I'm using true elements to create something that will always be somehow fictionalized.
I always wanted to write fiction. Always. As far back as I can remember it's been integral to my sense of myself - everything else was always a displacement activity.
I've always wanted to write science fiction. It was one of my first loves, and I knew if I became a writer someday I'd probably write something in the science fiction vein, but I hesitated for a long while because it's such well-trod ground.
When I began to write fiction that I knew would be published as science fiction, [and] part of what I brought to it was the critical knowledge that science fiction was always about the period in which it was written.
I write non-fiction quicker, and I write it on a computer. Fiction I write longhand, and that helps make it clear that it comes from a slightly different part of the brain, I think.
If you break things down to goodies and baddies, the baddies are always a bit more alluring in fiction, and that's true from a narrative point of view. But I wanted to write a novel about real life, and real life is a bit more nuanced than that.
Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn't try to write fiction. It's not a grand enough job for you.
I used to write fiction, non-fiction, fiction, non-fiction and have a clear pattern because I'd need a break from one style when going into the next book.
To be perfectly frank: I don't write women's fiction. I write intimate, gritty, realistic, character-driven fiction that happens to be thrown into the women's fiction category.
For a while, when I got out of college, I tried to write fiction. I'd grown up more around novelists, and my initial attraction was to write fiction. But I was much less suited for it. I always struggled to figure out what people were saying or doing in a particular moment.
I always knew I wanted to write really imaginative fiction - fiction that was very different from my real life.
I always wanted to direct and write a movie, but I thought that I didn't really have it in me. I tried to write fiction and humorous short stories, and some were considered successful, but it was always a huge effort for a small reward. I was always intimidated by the process.
It takes me a very, very long time to write a story, to write a piece of fiction, whatever you call the fiction that I write. I just go about it blindly, feeling my way towards what it has to be.
I write my first draft by hand, at least for fiction. For non-fiction, I write happily on a computer, but for fiction I write by hand, because I'm trying to achieve a kind of thoughtless state, or an unconscious instinctive state. I'm not reading what I write when I wrote. It's an unconscious outpouring that's a mess, and it's many, many steps away from anything anyone would want to read. Creating that way seems to generate the most interesting material for me to work with, though.
I write fiction longhand. That's not so much about rejecting technology as being unable to write fiction on a computer for some reason. I don't think I would write it on a typewriter either. I write in a very blind gut instinctive way. It just doesn't feel right. There's a physical connection. And then in nonfiction that's not the case at all. I can't even imagine writing nonfiction by hand.
I'd been writing fiction for 50 years, since I was 19. And when you write fiction, it becomes a way of thinking: there's always a novel around. The strange thing was that after 'Remember Me,' there wasn't.
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