A Quote by Jenny Lewis

Some shows suck, but I always - the show must go on. I learned it from my past as a child actor. The show must go on. You have to just keep on with it. — © Jenny Lewis
Some shows suck, but I always - the show must go on. I learned it from my past as a child actor. The show must go on. You have to just keep on with it.
There are some times where being on the shows are great. Sometimes it's hard, when it's just like, 'the show must go on,' and there's a TV show that's being done.
All writers must go from now to once a upon a time; all must go from here to there; all must descend to where the stories are kept; all must take care not to be captured and held immobile by the past.
I have to pick myself up every day and say, 'The show must go on,' meaning life as I know it must go on, whatever the obstacle is, I know I can handle it, and I can get through it.
I think you just have to take everything that happens on a TV show with a grain of salt. You sign up for a show for six years having zero idea where they're going to go with the character, so you just have to get on the ride of the show and go with wherever they take you.
I've had stuff pulled for me on big shows and stuff like that. You can get frustrated all you want, but the show must go on, and there are reasons for it.
We must pray to God everyday to show we don't forget that all gifts come from Him. But if some wishes remain unfulfilled we must show our confidence in Him, for He knows best.
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
We want to show the world that even if you go through some bad periods, you always have to think positive just to go forward.
He was a degenerate gambler. That is, a man who gambled simply to gamble and must lose. As a hero who goes to war must die. Show me a gambler and I'll show you a loser, show me a hero and I'll show you a corpse.
I think I've learned how to be a better boss. I'm the one running the show now, and in the past, I've always kind of been looking at other people to make the decisions. I feel more confident to run not just my show, but behind the scenes, too.
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
In a moment, or type of pressure, you just go out, and I play like I always do. Because it's a big moment, I'm not going to shy away and not show my talents. I'll show what I can do and show it every game.
Honestly, I try to forget Fashion Week once it's over. I just want to go home and rest and just forget I even did it. It could drive you crazy! It's just show after show after show, and you're missing your family and they feel really far away. You don't go to sleep. You work for a month.
Kids kill a show! It's, like, a fun concept when the character is pregnant, but then if a show runs for a while, I'm sorry, but it gets annoying when it starts to talk. You get a child actor in there, and unless that child actor is freakin' awesome, it's going to be annoying.
A lot of times I think the cast members, the lead characters in a show really set the tone for the show. On some shows, the stars of the show will just be whining and complaining and spending the whole time texting their boyfriends on their Blackberries, and there's just no attention given to the work.
I think every show I do, whether I am doing eight shows a week of a Broadway show... I think, "that's a show I'll never get back"... I go home at night and I think to myself, "that was my favorite".
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