A Quote by Jenny Packham
I play with those two eras a lot. The '70s did actually take quite a lot inspiration from the '30s. I love the '70s, the bold color. There's something very sophisticated about it now, looking back.
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I do like a lot of the '70s movies. I love Charles Bronson in 'Hard Times.' All my favorite movies where ones from yesteryear. The '70s was a good era. I love all those.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
In the early '70s, coming out of the '60s, it was very hippy or it was very uniform, like The Beatles all wearing the same suit. Into the '70s, it became much more about a personal style. You had the glam period, which was a lot of fun, and then you went into punk.
A lot of things we take for granted sprang out of the 70s; it was a decade for thought and if a decade can be a mentor, then the 70s was mine.
There's a lot of comic book inspiration and stuff I do that people probably won't recognize. I grew up in the '70s, so there's a lot of little things, like 'Three's Company' and 'Gilligan's Island.' Those shows were the foundation of my comedy in a way.
Now it's somewhat easier for a woman to be a film producer or something like that if she wants, though it's not that easy. But to be any kind of successful woman took a lot of doing in the '30s, '40s, '50s, '60s... in the '70s it's getting simpler.
There's that thing about the '80s, the '40s and the '60s, and the '30s, the '50s and the '70s. Something about those odd decades in this century that weren't too pleasant.
There's quite a few people getting into that - new acts coming along that are using a lot of stuff that happened in the 50s and 60s. They're completely ignoring the 70s which is kind of a turn on because to me nothing has really gone down in the 70s.
The music scene in the '70s was like the United Kingdom in the '70s - we had a lot of unemployment, we had inflation, we had a lot of strikes going on, on a national scale, and a lot of discontent. That was reflected in the music.
I just love glamour so any time period that had a lot of excess and glamour, I draw inspiration from. All the stuff from the 60s and 70s, very specific times in the 80s.
I love listening to old records. Stuff from the '70s, even disco and funk records and a lot of early rock albums - what's great about those recordings is that you can actually hear the true tones of the drums themselves.
The '70s were full of creativity. Everybody was so unique. It was a very creative period, and I think to be a designer you have to know a little about art and literature and music because there is inspiration in all of these things. You're looking for beauty but also something that makes sense.
I love the way the long scenes feel - one of the characteristics of '70s filmmaking is that you don't cut around a lot; you let things play out. I did that on 'Samurai Jack,' and it carried over into 'Clone Wars.'
Actually, we didn't tour that much back in the 70s because we had all these other artists under our hat. My touring was really limited. I tour more now than I did back then.
They say history always repeats itself and I pulled a lot of inspiration from the '90s and '80s and '70s. I don't know if I was born in the wrong decade or something, but I really gravitate towards that era.
Some people grew up in the '70s, powerful, beautiful memories of the '70s which to me is one of the worst decades. It has something to do with that. Has something to with the birth of rock 'n' roll, and something to do with those American cars. an incredible design. There was so much optimism at that time and it must leak into the process.
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