A Quote by Jenny Packham

The Wonderstar collection is a fantastic fusion of Hollywood glamour and Wonderbra's technical genius. — © Jenny Packham
The Wonderstar collection is a fantastic fusion of Hollywood glamour and Wonderbra's technical genius.
My holy grail is fusion energy. Nuclear fusion has little to no radioactive waste. It's clean. It's very abundant. The fuels are everywhere. There are problems with fusion.
Prior to 'Tokyo Drift,' the iconic perception of Asians in Hollywood films has been either the Kung Fu guy, the Yakuza guy or some technical genius. It used to be such a joke, to be laughed at rather than with.
I've always gravitated toward technical music in general. I love jazz fusion.
I think Milly Shapiro is a genius. She's just a fantastic person and a fantastic actress.
I think Hollywood is more of a state of mind then a place. There are certainly iconic locations in L.A. but as far as the glitz and glamour of old Hollywood and the studio system, that's all but faded away.
Glamour's my thing. The glamour is what got me into this business in the first place. I lived in a fantasy world in order to survive. Now that I'm here, I plan to work it. That means playing the part--long, tight dresses, slick! Unless you rise to the occasion, Hollywood doesn't really exist.
Fusion power is speculative and experimental. I think it is reckless to assume that the fusion problem will be cracked, but I'm happy to estimate how much power fusion could deliver, if the problems are cracked.
We were living with Bernard [Leach] in his home. He had a fantastic collection of early English and Japanese and Chinese and Korean pots and German pots, contemporary English work as well. And we had access to this collection.
Genius is a potential that lives within you and every other human being. You have many moments of genius in your lifetime. These are the times when you have a uniquely brilliant idea and implement it even if only you are aware of how fantastic it is.
I think when people think about California, they think about straight Hollywood, that Hollywood glamour, whole bunch of flashes, so much paparazzi.
I love the full-on Hollywood glamour of the 1930s and '40s.
Everybody wants the Hollywood glamour of the Premier League.
I worked with fantastic actors, fantastic directors. People I would never otherwise have met. Was I limited? Yes. Did I use it as I could have? No. But I was always ambivalent about Hollywood and what I wanted. And ambivalence in our business is no good for success.
You can perfect genius because genius is not perfection. On his level and his practice and his methodology, it's almost inhuman. So, that's been a fantastic arc to play, and boy does it go somewhere in this series.
The thing about Parsons compared to the other schools is that it really teaches you how to be a designer, whereas some of the other schools teach you to sketch or teach you the technical skills. But the curriculum at Parsons when I was there was how do you put a collection together, as well as all the technical stuff. It's the best training.
I look to women who epitomize old Hollywood glamour, like Rita Hayworth.
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