A Quote by Jenny Packham

I'm so fond of abstract design in the style of Vanderbilt and David Hicks and that whole 1970s era. They took the 1930s and gave it a bit of technicolour. — © Jenny Packham
I'm so fond of abstract design in the style of Vanderbilt and David Hicks and that whole 1970s era. They took the 1930s and gave it a bit of technicolour.
We`re a little bit low in the 1970s, right, post-Vietnam, Watergate era, malaise, all that, but this is more like the 1930s where the very notion of liberal democracy is being questioned, and that is disturbing.
I've always really loved the '20s and the whole Art Deco time. I just think it was just the most amazing era for style and design.
I'm not too fond of really cool design. I've got quite kitsch taste really, in things like tableware. I'm quite a sucker for 1930s pressed glass.
Everything in that era of the 1930s was built to last - cars, buildings, weapons. There was so much passion in everything that was created. The design on vehicles, the costumes, it's like a different world.
I come from a different era and I design clothes for our era. I think of people I want to dress when I design.
Many young web designers view their craft the way I used to view pop culture. It's cool or it's crap. They mistake Style for Design, when the two things are not the same at all. Design communicates on every level. It tells you where you are, cues you to what you can do, and facilitates the doing. Style is tautological; it communicates stylishness. In visual terms, style is an aspect of design; in commercial terms, style can communicate brand attributes.
If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didn't exactly look like John Watson, but which those who knew him would find hauntingly familiar.
The whole idea of making 'James' was to make an action film in the style of the 1970s and '80s.
Information design has been around since the 1970s. Pioneers like Yale University design guru Edward Tufte and design agency Pentagram have long known and used its power. But now with the rise of the Internet, it's having something of a second birth.
I think the "dawning of a new era" sounds a bit pretentious, and to me it's simply a step closer to my roots, and thus yes - I do feel liberated by this. I know many dislike this move, and I suspect that it is not really the dawning of a new era, but rather a move to a style which sells less records
David's [Cunningham] a very interesting character. He has more integrity than is good for him. So, everything he did after that sort of undermined what he'd done. Other people who kind of took life more cheaply, would have really gone for it. David almost did everything he could to scupper the whole thing, which I very much admire, but of course it was deeply irritating then, because we wanted to make a bit of money! So we made this very catchy tune and then he added a bunch of weird stuff which was all very strange.
he ones that bother me the most are the media saying, "He's like the next Bill Hicks." It's supposed to be complimentary, but then all these Bill Hicks fans show up thinking you're going to be like him, and then go, "You're no Bill Hicks." And I'm like, "I never wanted to try to be like him, I don't think I'm anything like him at all, and now you're mad at me for not being him because a journalist didn't have a better reference."
I went through the whole number, you know. The swing era, the boogie woogie era, the bebop era. Thelonious Monk is still one of my favorites. So a lot of these people had their effect on me.
Well, good science fiction is intelligent. It asks big questions that are on people's minds. It's not impossible. It has some sort of root in the abstract. So automatically you're getting closer to potentially divine sources of interest because it is abstract. It's one of the only ways that a film actor can express himself in the abstract and have audiences still go along for the ride. They don't contend it. They accept it, that they're going to go places that are a bit more of the imagination, a bit more out there, and that's more and more where I like to dance.
A design style is defined by a set of microdecisions. A clear style reflects a consistent set. A clear style may not be a good style; a muddled one never is.
The Big Band Era is my era. People say, 'Where did you get your style from?' I did the Big Band Era on guitar. That's the best way I could explain it.
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