A Quote by Jenny Ryan
When I got a call about 'Celebrity X factor' I thought wow, what an opportunity. It felt like everything had been leaning towards that point.
Related Quotes
There was a while when I got really bad stage fright and I basically felt...I was incredibly angry. I felt like everything had been taken away from me and it was at that point that I realized how much doing stand up reminds me of my self love and curiosity about myself and love of other people because I don't go on stage to dominate.
That mercy towards one set of creatures was cruelty towards another sickened his sense of harmony. As you got older, and felt yourself to be at the center of your time, and not at a point in its circumference, as you had felt when you were little, you were seized with a sort of shuddering, he perceived. All around you there seemed to be something glaring, garish, rattling, and the noises and glares hit upon the little cell called your life, and shook it, and warped it.
I've been in relationships and had long-term boyfriends since I was 13, so I've always had that emotional pillar of support. I'd got to a point where I felt like I couldn't live without that.
When I got the call from [Hugh] Hefner... I thought, "Wow - at 40, they still want me?" And I thought it's almost an inspiration - like a "you go, girl" moment. I feel empowered that you can be married and and have three children and still be sexy and confident and look great.
I knew [Jesse Owens'] name, but I really didn't remember what it is he had done, so I felt like I had to get refreshed. So I read the script and I realized like, wow, this is an incredible human being. I told my manager, however I had to do it, let me see the director; I got to play him.
The X Factor is something that's real. Once you find that X Factor, it's undeniable. No matter what the critics say about our band, we obviously have the X Factor. Redfoo has got the X Factor.
Your life is not predestined, as in Calvinist thought, where everything is written down in the book of life long before your birth and is inescapable. There are choices, accidents, hints and wrong paths, and the ego you, or whatever you call yourself, is a factor in all this. But there is still this other factor that keeps calling. At some moment, people turn, in despair or when they are unable to go any longer on a certain route, and this inner voice says, "Where have you been? I've been waiting for you to turn to me for a long time."
The only time I had what you would call life-threatening fear was when I was on the Moon. Towards the end of our stay, we got excited and we were going to do the high jump, and I jumped and fell over backwards. That was a scary time, because if the backpack got broken, I would have had it. But everything held together.
As a filmmaker you have to keep asking yourself the question are we really going to impress them [audience] either by the wow factor, the intelligence factor, the I didn't see that coming factor?
I have always had this very strong, call it a feeling, call it a prejudice, call it a conviction ... that the mysteries are not easily available. You have to earn entrance into them. You didn't learn things for too little. You had to pay a price. And I felt that LSD was just blasting superhighways into the mysteries. And what I really didn't like about LSD is that people who were taking it were seeming to become less and less as they took it. They got emptier and more vapid.
We have moved beyond the point of trust being simply a key factor in product purchase or selection of employment opportunity; it is now the deciding factor in whether a society can function.
My music, I feel, has always been experimental, but it had got to a point where I felt disconnected from it completely. I didn't want to be a Clark Kent/Superman: I couldn't really say, 'Well, B.o.B's the old me, and Bobby Ray's the new me.' I had to just make a point.
When I got the phone call that I was told I was Peter Pan, I freaked out, because I was like, 'Wow! How does that happen?' But pretty much, from there on, everyone's been so lovely.
I found a Bill Evans record in the bookcase and was listening to it while drying my hair when I realized that it was the record I had played in Naoko's room on the night of her birthday, the night she cried and I took her in my arms. That had happened only six months earlier, but it felt like something from a much remoter past. Maybe it felt that way because I had thought about it so often-too often, to the point where it had distorted my sense of time.
I've only really had one period when I lost myself and felt like I was going to lose my career, and that was when I first began presenting 'X-Factor' spin-off 'The Xtra Factor' two years ago. I was worried if I did a rubbish job live on Saturday night TV that my music career was going to get affected and I would lose everything.
There's always only been three of us [drummer Joey Shuffield, vocalist, bassist and keyboardist Tony Scalzo and myself], but when we first started we didn't have anybody augmenting the band, so everything had to be kinda to the point anyway. We did that record and toured a while on that, but I just got sick of playing it every night. It felt like doing push-ups to me.
Related Authors
Benjamin Disraeli Quotes
British
Celebrity
Bertrand Russell Quotes
British
Celebrity
Bobby Fischer Quotes
American
Celebrity
Fred Rogers Quotes
American
Celebrity
G-Eazy Quotes
American
Celebrity
Garry Kasparov Quotes
Russian
Celebrity
Gary Johnson Quotes
American
Celebrity
Jimmy Carter Quotes
American
Celebrity
Joe Buck Quotes
American
Celebrity
Jonathan Franzen Quotes
American
Celebrity
Ken Wilber Quotes
American
Celebrity
Kim Kardashian Quotes
American
Celebrity
Lord Chesterfield Quotes
British
Celebrity
Paris Hilton Quotes
American
Celebrity
Richard Simmons Quotes
American
Celebrity
Tom Petty Quotes
American
Celebrity