A Quote by Jenny Saville
If there's a narrative, I want it in the flesh.
Related Quotes
I don't think people want to look at problems. They want a continuous narrative, an optimistic narrative. A narrative that says there's a present and a future - and what was in the past no longer exists.
I want 'Flesh Of My Flesh' to be like my connection to the community, I want to say what's on my peoples' minds, soak up all their pain. I've learned that when I take it all in, I can make one brotha's pain be understood by the world.
I want the vetting to be solid. But I also want to bring these people in because not bringing them in sends a message, right, to the Muslim world and plays into the ISIS narrative and the Al Qaeda narrative, right, that this is a war between religions. And we can't have that.
I want there to be hints of narrative everywhere in the image so that people can make up their own stories about them. But I don't want to have my own narrative and force it on to them.
I want to photograph what I see and put it in a dramatic context. I'm an actor and a writer, and I want to tell these stories and present these shapes, colors and movements as I see them, as I see them serve a narrative. As I see that narrative serve an audience. That's what I want to do.
What I'm really proud of Beyonce and Solange, they understand the importance of creating the narrative. It's all about the narrative and how you position yourself with your narrative.
Do not be impatient for impatience is of the flesh. Do not try different methods because they are useful solely in helping the flesh. We must distrust the flesh entirely.
I don't understand why people take Beyonce so seriously. You don't feel like there's a living, breathing person. It's not flesh and blood. It's just flesh and flesh.
I want paint to work as flesh... my portraits to be of the people, not like them. Not having a look of the sitter, being them ... As far as I am concerned the paint is the person. I want it to work for me just as flesh does.
You can have all the intentions you want and try and guide the narrative, but the narrative is irrelevant because it's how the public digests it that will be indicative of what the series will ultimately be.
We want flesh, flesh for fantasy.
I mean the flesh, never fade! The flesh never leave the creation, see, because with that divine spirit the flesh cannot fade. If the spirit is weak then the flesh fade, seen?
When you have the national narrative being "crack is awful and black people are using it," why go against that narrative when you want to get that publication in The New York Times or wherever? It encourages people to play right into it.
Nothing is more democratic, less judgmental, than water. Water doesn't care whether flesh is withered or fresh; it caresses aged flesh and firm flesh with equal love.
Men and women yearners must realize their unity even while in the
flesh; not by communion of the flesh, but by the Will to Freedom from
the flesh and all the impediments it places in their way to perfect
Unity and Holy Understanding
European children are educated in a narrative of human tolerance every day, and if you want to be sure to prevent a backlash, you should at least think of bringing Muslim children and teenagers into the fold of that narrative of tolerance.
Related Authors
Asger Jorn Quotes
Danish
Painter
David Salle Quotes
American
Painter
Domenico Gnoli Quotes
Italian
Painter
Henri de Toulouse-Lautrec Quotes
French
Painter
John Currin Quotes
American
Painter
Laszlo Moholy-Nagy Quotes
Hungarian
Painter
Marsden Hartley Quotes
American
Painter
Milton Resnick Quotes
American
Painter
Odd Nerdrum Quotes
Norwegian
Painter
Pablo Picasso Quotes
Spanish
Painter
Robert Bateman Quotes
Canadian
Painter
Robert Longo Quotes
American
Painter
Vincent Van Gogh Quotes
Dutch
Painter
Walter Darby Bannard Quotes
American
Painter