A Quote by Jenny Saville

I do hope I play out the contradictions that I feel, all the anxieties and dilemmas. If they're there in the work, then that's brilliant. — © Jenny Saville
I do hope I play out the contradictions that I feel, all the anxieties and dilemmas. If they're there in the work, then that's brilliant.
I write to keep from going mad from the contradictions I find among mankind - and to work some of those contradictions out for myself.
It's a risk-reward thing. If I do go out and try and play and get hurt again, then I'm definitely out. I've got no chance to go. If I'm ready, then great. It's getting better. I've been doing a lot more in the last couple of days. I've got a day off (on Wednesday) and then hope to come back in on Thursday and really see where I am at and test it out. Hopefully I'm going to play this weekend but, in reality, we'll see.
The thing about 'Dark Knight' is its objective is to set Batman into your world, so that you can imagine the moral dilemmas he faces are exactly parallel to moral dilemmas that you would face in this world, today, if you were out there fighting crime dressed like a bat.
Create the kind of workplace and company culture that will attract great talent. If you hire brilliant people, they will make work feel more like play.
I hope I get to work with Ms. Meryl Streep. She's so brilliant, great, and gracious an actress and person. I would love to work with her.
The collection is a labor of love and devotion, and whenever I found free time from my journalism work, I'd work on one story or another, or at least sketch out my characters, and research various issues related to my characters' dilemmas.
One of the first roles I had on stage was with a brilliant director in a brilliant play with a brilliant cast, but I just couldn't find my way into the heart of the character. I found myself straining a lot. When it started. I felt lost. That was the Eugène Ionesco play Rhinoceros. I don't think I was prepared for that. I don't think I had the full tool kit to do it justice. It's a very difficult play, it's an extraordinarily difficult part, and I never felt I really got it right. Far from it. To a degree, Hamlet was the same.
I've always wanted to play quarterback, and I lucked out to be able to play for my favorite team - America's team. I'm just living the moment. I feel like all of this was supposed to happen. When you work hard, things work your way.
I actually feel most at home when I find people who make me feel really dumb, who are brilliant at their particular things. And then I gather these people, put them in a room, and watch incredible things come out of it.
I actually feel most at home when I find people who make me feel really dumb, who are brilliant at their particular things. And then I gather these people, put them in a room and watch incredible things come out of it.
Hope is such a tenuous quality. To feel it and then to be denied what one most longs for ... Better, surely, not to hope at all, than to open the heart to a hope that is impossible.
If anything, it's a little intimidating because there's usually a lot of brilliant work and a lot of brilliant ideas out there that you wish you had thought of, or that you just admire for the originality of it or the difference from what you've been thinking of.
Jesus lived a life that was full of joy and contradictions and fights, you know? If they were to paint a picture of Jesus without contradictions, the gospels would be fake, but the contradictions are a sign of authenticity.
There are brilliant out lesbians and gay men and bisexuals and transgendered people and heterosexuals keeping the fire of change alive. Not a day goes by when I don't feel grateful to them for their work.
I'm doing things that feel good to my soul. I've had plenty opportunity to do other things, but it didn't feel right, and it wasn't right. And if it feels like work, then it's work. But if you have that opportunity to do what you love, and you can make a living out of it, then that's a blessing and I never take that for granted.
Aesthetic value emanates from the struggle between texts: in the reader, in language, in the classroom, in arguments within a society. Aesthetic value rises out of memory, and so (as Nietzsche saw) out of pain, the pain of surrendering easier pleasures in favour of much more difficult ones ... successful literary works are achieved anxieties, not releases from anxieties.
This site uses cookies to ensure you get the best experience. More info...
Got it!