A Quote by Jenny Slate
There's so much interference, so much static and people's voices talking about what you do and why you do it that I've learned to be like, 'No, no.' It's actually simple. I just do this.
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Feminism is just about equality, really, and there's so much stuff attached to the word, when it's actually so simple. I don't know why it's always so bogged down.
I have a simple rule: when I'm on TV, I'm not talking to just my anchor or my colleague on my right. I'm talking to America. I look into the lens, and in my head, I'm talking to somebody in Nebraska. Why Nebraska? Why the Cornhusker State? I have no idea. But it feels like it's a good place to talk to people.
People don't understand how much influence they can actually have on a writer, how much a writer's feelings can be hurt, how much they can deflect his course when they raise their voices like they did over highly personal books like 'Panama' or 'Bullet Park.'
People who don't like musicals like, 'why are they singing? Why aren't they just talking? If you make the lyric feel really conversational, it's much easier for them to bridge that gap.
When I do interviews, sometimes I'll just be like "Why the hell did I say that?" because after I hang up the phone I realize there were so many things I could have said, but my brain just goes on lockdown. There's something about having conversations with people that's so much different from just singing and playing guitar. And I think a lot of people are actually performers because of that. I can't really explain why. It's like just the only chance you have in life to feel really good and outgoing.
I actually studied literature at university, so I'm much more of an arts-based person, but I remember I actually did enjoy physics because you got to do weird experiments. I remember we did this thing with static where we all had to put our hands on this static ball to see that your hair would all stand on end.
I mean, it's amazing that I get to meet all these people. I've learned so much from all of them. I just worked with Sofia Coppola and that was amazing. I learned so much from her. I can't even describe how much fun I had.
I much prefer making music to talking about it. There's something visceral about instruments and voices that transcends words.
When you spend so much time away from home, travelling around doing things like this, talking about yourself too much, which is often very painful... So, to actually come home and just be amongst people who know you extremely well, who you can't pretend to be anything other than yourself in front of, is a relief really. It gives you a sense of who you are again. You just don't get any time at home... it's such an existence of feeling very unsettled and travelling around. It's great.
Mathematics can have its problems, but it's actually hasn't seen a lot of the problems as some of the other sciences and so much of it in what people are doing is completely useless. Nobody kind of in really cares very much. You don't really have kind of right and left and people in ideology coming in because there isn't any. It just doesn't actually connect up to the kinds of things that people ideologically worry about. So most of mathematics just doesn't tell you anything one way or another about global warming or about healthcare or about any number of things that you might care about.
I believe that Trayvon Martin's life might well have been spared if many of us who care about racial justice had raised our voices much, much sooner and much, much more loudly about the routine stereotyping and profiling of young black men and boys.
You can't believe how hard it is for people to be simple, how much they fear being simple. They worry that if they're simple, people will think they're simpleminded. In reality, of course, it's just the reverse. Clear, tough-minded people are the most simple.
I wish I knew exactly who I was. I was talking to a friend earlier about the advice people give each other, advice like "just be yourself," and how this is particularly awful because it presumes we know who we are. As if people are static and unchanging.
I guess television is so much on the word. It's so much closer to playwriting - the scale is more just about the voices and the internal lives. Movies, it's a very different canvas.
I don't like to read contemporary fiction while writing - I need a sense of isolation, a kind of silence, and I don't want a jumble of other people's voices or visions getting in my way. Nineteenth-century voices don't create static in that silence.
I think I was in high school, actually, and it was a guidance counselor or someone said, you know, you're just too loud; like you need to just stop talking so much and stop being so opinionated; like no one wants to listen to you because you're really annoying. And I'm glad that I didn't shut up, because it seems like people are listening.
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