A Quote by Jenny Slate

I feel nervous when the script is set in stone, and I feel nervous when I feel the script is written for mass consumption because I don't see myself that way. — © Jenny Slate
I feel nervous when the script is set in stone, and I feel nervous when I feel the script is written for mass consumption because I don't see myself that way.
I'm supposed to be rooting against Joe Biden and every time he takes the stage I feel nervous that he's not going to be able to coherently string a sentence together and if I feel that way, I think Democrat voters out there probably feel very nervous about him.
I am a very open person, and I'm always nervous of being misconstrued. Sitting in the middle of a restaurant makes me nervous. I feel like I'm being judged. And it's funny that I should feel that way.
If I feel like it's a well-written script and if it speaks to me, it's something I want to do. I usually rely on my instincts when it comes to a script.
Acting's incredibly enjoyable, but sometimes it doesn't feel quite enough. I've also written a script about the life of Eleanor of Aquitaine. This will make me sound like a female Kenneth Branagh, but I can't think of anything nicer than directing myself from a script I wrote.
Sometimes you read the script and you feel that this is a challenging role but at times you feel that this one was written for me.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
There are times when I do feel very nervous when I start a film. And I feel very nervous before the release. I do get stuck in some scenes, but that's very natural and human. It happens to all the artistes in the world.
With that being said, you are a Democrat. You are saying, "Let's cut and run." And I have to tell you, I have been nervous about this interview with you, because what I feel like saying is, "Sir, prove to me that you are not working with our enemies." And I know you're not. I'm not accusing you of being an enemy, but that's the way I feel, and I think a lot of Americans will feel that way.
When you stop being nervous is when you should retire. I'm always a little nervous for anything I do because when complacency sets in, that's when I feel it's time to move on to something else.
I'm never nervous when I go to meet heads of state. I feel they should be nervous, because they are the ones who'll be held accountable for the lives their decisions will impact the most.
I like to talk to the audience once the show starts, as much as possible, and feel connected to them. I don't feel quite as nervous when I do that because, then, you feel like they're on your side.
I don't think fast enough on my feet in terms of the writing to change the script too much when I'm shooting it. I like to have it set and done and know that I feel good about it and I might add a few lines here and there while we're shooting, if I think of a new joke, I might toss it in, but for the most part, I try to stick to the written script and have all the latitude exist within that.
I get nervous before openings or premieres or when someone's reading a new script, and I get nervous when my daughter isn't in my immediate field of vision.
I always feel uncomfortable at parties, and I'm often nervous when talking to strangers. I don't think this makes me feel special. Maybe everybody feels this way.
I love getting nervous, because it's also a form of excitement and it makes me feel alive, you know? I like that feeling. I've always liked that feeling. People who don't get nervous before they perform are no fun.
He's a wallflower." And Bob nodded his head. And the whole room nodded their head. And i started to feel nervous in the Bob way, but Patrick didn't let me get too nervous. He sat down next to me. "You see things. You keep quiet about them. And you understand.
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