A Quote by Jenny Zhang

When I first moved from Shanghai when I was five, I just thought of myself as Chinese. — © Jenny Zhang
When I first moved from Shanghai when I was five, I just thought of myself as Chinese.
I was born in Shanghai and moved to Hong Kong the year I was five.
I had no idea when I moved to Nashville people just were songwriters. I had no idea. So I guess I was selling myself as a singer when I first moved here. But then right after I first moved, I started writing a lot.
In 1924 Mao took a Chinese friend, newly arrived from Europe, to see the notorious sign in the Shanghai park, 'Chinese and Dogs Not Allowed'.
I had my exhibition of paintings first in Shanghai, and then recently in Wuhan. Wuhan particularly interested me, because I am 1/8 Chinese.
I was in Shanghai when the Japanese invaded China. I was there in Shanghai when, the morning after Pearl Harbor, they seized Shanghai.
When I first heard that I had won the prize, I thought that it was something for myself, that it was something personal, recognition of my writings. But there is such a strong reaction from Chinese people in particular. It's been very passionate, overwhelming and passionate, Chinese people from all over the world.
I spent my first five years in Canberra then moved to Sydney, where I moved around the Hills District until the age of 18.
We first became conscious of the plane publicly on a Monday. I thought then by the weekend it would be done. But then the Chinese military, the defense minister made a statement saying that if there was no apology from the United States, the Chinese military and the Chinese people would never understand. No reference to the government or the Communist Party, and that obviously presented an internal problem to the Chinese leadership, which was travelling at that moment.
When I first moved to Austin in January of 2000, I went out drinking and smoking every single night for a year. And it was really fun at first, but then I started to feel kind of weird because, before I moved here, I had a vision of myself becoming a new person once I lived in Austin. I just hadn't realized that person might be Nick Nolte.
'm constantly depressed by the Mexican gang members I meet in East L.A. who essentially live their lives inside five or six blocks. They are caught in some tiny ghetto of the mind that limits them to these five blocks because, they say, "I'm Mexican. I live here." And I say, "What do you mean you live here - five blocks? Your granny, your abualita, walked two thousand miles to get here. She violated borders, moved from one language to another, moved from a sixteenth-century village to a twenty-first-century city, and you live within five blocks?"
When I first moved to New York, I had some colleagues who said I should be my straightest self - whatever that means - when I went into casting offices, but I didn't want to put on an act of what I thought was heterosexual. I just wanted to be myself, and I'm very grateful because I feel like I've been embraced for that.
I have always thought of myself as an inventor first and foremost. An engineer. An entrepreneur. In that order. I never thought of myself as an employee. But my first jobs as an adult were as an employee: at IBM, and then at my first start-up.
I went to an exhibition at San Francisco's Asian Art Museum about Shanghai, about how courtesans had been influential in bringing western culture to Shanghai. I bought a book and in it saw this striking group of women in a photograph called 'The Ten Beauties of Shanghai'.
I did my best to hide by changing my name many times. But I was captured by the Chinese police. But because my Chinese was so good, they thought I was Chinese and released me. That was a miracle.
When Nixon opened the door to China in the early 1970s, Chinese artists got their first view of the West. Suddenly five centuries of Western art lay before them as a stylistic smorgasbord. Chinese artists could reinterpret it out of admiration or try to replace it. They choose the former.
The Chinese central government will slowly and steadily lose authority while regional armies [gain power]. The Western powers are going to take sides to protect their investments - they have put billions of dollars into Shanghai. Their fear is that [these investments] are going to be expropriated by a warlord from the interior who will sweep down on Shanghai. They will try to form alliances with warlords to protect their concessions, and there will be a huge flow of weapons into China.
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