A Quote by Jenny Zhang
I like to keep a book underneath the pillow that I'm not sleeping on so I can reach over and grab it when I wake up. I don't always do that, but I like to. I try to make sure it's a book and not my laptop. I also try not to get too excited about who might've been trying to contact me while I was asleep.
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I wake up in the morning and drink my Essentia water first. I keep a liter by my bed. If I get up in the middle of the night, I can just grab it. I try to drink a liter before 10 A.M. The water rehydrates me after sleeping for eight hours.
Sleepy Christian, let me shout in thine ears: thou are sleeping while souls are being lost, sleeping while men are being damned, sleeping while hell is being peopled, sleeping while Christ is being dishonored, sleeping while the devil is grinning at thy sleepy face, sleeping while demons are dancing round thy slumbering carcass, and telling it in hell that a Christian is asleep. You will never catch the devil asleep; let not the devil catch you asleep. Watch, and be sober, that ye may be always up to do your duty.
A lot of people will think I changed the book: ‘so you’re the tiger instead, you’re the tiger who ate the cook.’ That’d be totally expository, like in the book, ‘you’re the tiger’ and then it stops there. That seems to have the magic touch. I bring everything together. That’s why he made up the story, the whole thing becomes internalized. That might be the magic, but all I did is not so much interpreted, but try my best to keep everybody still staying in the movie. And I was like, ‘God, it’s so hard to do.’ I make movies for a long time. It doesn't get easier.
I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.
I always ask the booksellers to look at me and recommend a book; 9 out of 10, they get it right; it’s usually a book about someone dysfunctional. To me bookstores are like brothels of imagination, each book is luring me over going, 'Read me, read me'.
I know with my size, a lot of people might think I'm like a slasher, a make-you-miss guy, which I can do that. But I also like to lower my shoulder and get the tough yards, too. I like contact. I like to mix it up.
I like to smell a book before I start it. I fold over the pages, write comments in the margins, leave it on the bed next to my pillow when I fall asleep.
I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.
Old people whimper, and cry, and belch, and make great hollow rumbling sounds at table; old people wake up in the middle of the night screaming, and find out they haven't even been asleep; and when old people are asleep, they try to wake up, and they can't... not for the longest time.
Twitter for me is a form of entertainment for the followers and it's also a source of information. I try to tweet things that I think might make people smile, or to share information that I want to get across, like an event like this that can inspire other people to get involved. I try to mix it up. I think that is a reflection of me - a family man, an actor, and a philanthropist.
I try not to think too much about an audience when I'm writing the first draft of a book - at that stage, the prospect of anyone reading what I've written would be enough to scare me into setting my laptop on fire.
When I wake up, I expect things to be good. If they're not, then I try to set about trying to make them as good as I can 'cause I know I'm gonna have to live that day anyway. So why not try to make the most of it if you can? Some days, they pan out a little better than others, but you still gotta always just try.
I try not to think too much about an audience when Im writing the first draft of a book - at that stage, the prospect of anyone reading what Ive written would be enough to scare me into setting my laptop on fire.
It's about enjoying what you do, and that's what I try to tell everybody, 'Hey. When we wake up tomorrow, let's go hard again and let's try to do better.' That's all we can do, and that has been me all these years. I'll keep doing that until I retire.
Reading isn't about managing expectations. In certain ways, writing is. You're trying to send signals early in a book about what might be coming later, but I think worrying about the kind of chatter around a book is something I try and stay as far away from when I'm reading.
I try to write every day. I don't beat myself up about word counts, or how many hours are ticking by on the clock before I'm allowed to go and do something else. I just try to keep a hand in and work every single day, even if there are other demands or I'm on a book tour or have the flu or something, because then I keep my unconscious engaged with the book. Then I'm always a little bit writing, no matter what else I'm doing.
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