A Quote by Jenny Zhang
I'm drawn to the figure of the ungrateful subaltern as a trope in literature. In real life, it is often dangerous to demand more.
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In mainstream literature, a trope is a figure of speech: metaphor, simile, irony, or the like. Words used other than literally. In SF, a trope - at least as I understand the usage - is more: science used other than literally.
He is ungrateful who denies that he has received a kindness which has been bestowed upon him; he is ungrateful who conceals it; he is ungrateful who makes no return for it; most ungrateful of all is he who forgets it.
Gratitude is the key to happiness. When gratitude is practiced regularly and from the heart, it leads to a richer, fuller and more complete life... It is impossible to bring more abundance into your life if you are feeling ungrateful about what you already have. Why? Because the thoughts and feelings you emit as you feel ungrateful are negative emotions and they will attract more of those feelings and events into your life.
It is impossible to bring more into your life if you are feeling ungrateful about what you have. Why? Because the thoughts and feelings you emit as you feel ungrateful are all negative emotions.
I do find that I'm drawn to people in my life, romantically or not, that have something to teach me. I'm drawn to people who I feel like I can learn from. I'm not really drawn to toxic people - I don't find myself discovering that someone in my life is toxic very often. But there is some sense of being changed by each person that I think I'm drawn to.
The people I've encountered who are really dangerous in my life don't go around with their fangs drawn - they are dangerous because of the way they interpret what's going on.
Art should walk a tightrope. That's what art should be. Art should be dangerous. You can't be scared to say something with it. People love to talk about how comics are real art and real literature, so why not use these characters to talk about real things, even if it is dangerous?
The philosophy of praxis does not aim at the peaceful resolution of existing contradictions in history and society, but is the very theory of these contradictions. It is not the instrument of government of the dominant groups in order to gain the consent and exercise hegemony over the subaltern classes. It is the expression of subaltern classes who want to educate themselves in the art of government and who have an interest in knowing all truths, even the unpleasant ones, and in avoiding the impossible deceptions of the upper class, and even more their own.
Kafka often describes himself as a bloodless figure: a human being who doesn't really participate in the life of his fellow human beings, someone who doesn't actually live in the true sense of the word, but who consists rather of words and literature. In my view, that is, however, only half true. In a roundabout way through literature, which presupposes empathy and exact observation, he immerses himself again in the life of society; in a certain sense he comes back to it.
I'm often drawn to darker subjects. There's a lot of awful stuff in literature - and in life. Every day I read the paper and think how much I'd love certain people to just go away. But the flipside is that much of life is really good and sweet and tender and true. That's another thing pets teach us. That, and the importance of holding on to those good things in life.
Life is not a PG feel-good movie. Real life often ends badly. Literature tries to document this reality, while showing us it is still possible for us to endure nobly.
Life should imitate romance literature far more often.
I expected more from literature than from real, naked life.
Mike and I are always drawn to the idea that there is light and dark inside every being, rather than the old two-dimensional trope of good versus evil.
We think sometimes we're only drawn to the good, but we're actually drawn to the authentic. We like people who are real more than those who hide their true selves under layers of artificial niceties
I don't feel drawn to lightness, I need something more. I feel that - oh, I hate saying this, it sounds so wanky - but I feel a real urge to give voices to people we don't usually hear from in real life.
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