Lena Dunham and Jenni Konner, who founded Lenny Books together, also happen to have exquisite reading tastes - from obscure small press poetry chapbook to dishy memoirs to literary novels - and so it's a real honor that they've chosen to announce their imprint with my stories.
I love reading all kinds of books. I usually have about ten books going at any one time - books about the past, the present, novels, non-fiction, poetry, mythology, religion, etc. Reading is my favorite thing to do.
From my teenage years on, I sought out Native elders from many tribal nations and listened to their words. I also started a small press, The Greenfield Review Press, and became very involved with publishing the work of other American Indian authors, especially books of poetry.
I would like to be known for honest, relatable writing and stories that that are real. There's just this shift I think is happening in a lot of society right now where being your most real self, however embarrassing or vulnerable or weird that is, is the coolest. I feel like that's what Lena Dunham's about and Amy Schumer's about.
Most novels put out by small or corporate presses don't really sell that well - usually a thousand copies or so. Working with a small press, you have to be willing to book reading tours, plan events, make contacts with other small press authors, and find new ways of getting word about your new work out there.
The most obvious difference between writing novels and memoirs is that my memoirs are true stories, and explore certain experiences I've lived, and thus operate within the boundaries of memory and fact.
When you get inside a literary novel you feel that the author, more often than not, just doesn't know enough about things. They haven't been around enough - novelists never go anywhere. Once I discovered true books about real things - books like 'How To Run a Company' - I stopped reading novels.
I've become good friends with Lena Dunham, and the thing I had in common with Lena when I was 24 is I was as ambitious as she was. What we don't have in common is that I was not as talented. My voice was not as clearly defined.
I don't revisit anything unless there's a really good occasion, like BAM screened 'This Is My Life', with Lena Dunham and Nora Ephron before she died. It also screened 'Uncle Buck', so I took my niece. I don't have a TV, so I don't happen upon old movies like you would if you had cable.
Having casual conversations with the likes of Lena Dunham and Kim Kardashian makes me weak in the knees. I have so much respect and admiration for Lena that it doesn't matter how many times I talk to her - I get starstruck.
The majority of American writers today have chosen passive non-resistance to things as they are, producing sloughs of poetry about their personal angst and anomie, cascades of short stories and rivers of novels obsessed with the nuances of domestic relationships - suburban hanky-panky - chic boutique shopping mall literary soap opera. When they do speak out on matters of controversy they attack not the evils of our time but fellow writers who may insist on complaining.
I'm pretty omnivorous - in fact, I don't think of books in terms of genres. J. K. Rowling's 'Harry Potter' books are no more Y.A. reading, to me, than John le Carre's 'Smiley' novels are spy stories.
Gillian [Jacobs] is brilliant, and it was Lena Dunham that recommended her. I didn't see her in the part, but Lena told me that Gillian can do anything. It turned out to be true.
I love short stories - reading and writing them. The best short stories distill all the potency of a novel into a small but heady draught. They are perfect reading material for the bus or train or for a lunchtime break. Everything extraneous has been strained off by the author. The best short stories pack the heft of any novel, yet resonate like poetry.
Ezekiel Boone's books, starting with 'The Hatching' series, are meant to be big, sprawling, smart, entertaining books that are fun above all else; the literary novels written under my real name, Alexi Zentner, are certainly a little more quiet.
I like to read Bengali novels and short stories. I am not that fond of reading English books, as I don't have a connect with it.
I think training your instinct comes from writing and reading. There's no big secret. And reading slush helps, as well; I'd recommend everyone edit a literary magazine at some point. It's time-consuming, but there's a lot to learn from other writers who are also learning. The patterns (twelve stories about whales in this batch?) are also interesting.