A Quote by Jenny Zhang
The historical legacy of 'The Best American Poetry' is they've had very few editors who were not white. They've had very few instances where they've selected poems by non-white poets.
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I had very supportive parents that made the way for me, even at a time when there were very few women - no women, really; maybe two or three women - and very few, fewer than that, African-American women heading in this direction, so there were very few people to look up to. You just had to have faith.
The maiden Olympics had more to protest about than mere war, though. Central to its ethos was a rejection of two establishments the political one, certainly, but also that of the wider poetry world itself. It changed poetry for ever in the UK, ... It led to readings all over the country. You suddenly got more women reading and publishing poems, as well as gay guys and poets from all over the world. Until that time, published poetry had been very university-based white, male, middle-class. We were trying to break poetry out of its academic confines.
There's no question that O.J. Simpson had been a substitute white man in America. He had gained honorary white status. He was not viewed by many white Americans as black. He was not seen as the African American athlete who was rebellious: Jim Brown, Muhammad Ali, Hank Aaron... He was accepted in golf clubs that were very tony.
There's a sameness about American poetry that I don't
think represents the whole people. It represents a poetry
of the moment, a poetry of evasion, and I have problems
with this. I believe poetry has always been political, long
before poets had to deal with the page and white
space . . . it's natural.
Martin Scorsese was one of the few who had not been an assistant. Most of the guys had been an assistant and worked their way up. But I had seen an underground picture he had made in New York, a black-and-white film. I had done a picture for American International, about a Southern woman bandit, the Ma Barker story, and it was very successful, and I had left to start my own company, and they wanted me to make another one.
It was very romantic. It's all in the song, The Ballad of John and Yoko. If you want to know how it happened, it's in there. Gibraltar was like a little sunny dream. I couldn't find a white suit -? I had sort of off-white corduroy trousers and a white jacket. Yoko had all white on.
Intellectuals, academics, writers and poets were an important force in the early groups of volunteers. They had the means to get to Spain and were accustomed to travelling, whereas very few workers had left British shores.
The encounters I had were very few, but they were powerful. The negative encounters I've had with law enforcement were very few, but they stood out.
One of the things that is wonderful about hymns is that they are a sort of universally shared poetry, at least among certain populations. There isn't much of that anymore either. There are very few poems people can recite, but there are quite a few hymns that, if you hum a few bars, people can at least come up with two verses. Many of the older hymns are very beautiful.
Initially, I had two thoughts. First, this is a very large conspiracy; and second, our children in Washington. We knew there were a few unidentified planes that may have been headed for the White House or the Capitol Building.
I started off in England and very few people knew I was Australian. I mean, the clues were in the poems, but they didn't read them very carefully, and so for years and years I was considered completely part of the English poetry scene.
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
When I started, there were very few women at the managing director level and very few who had families, which is something that was important to me. So it's not like, when I looked up, I could say, 'Well, that's who I want to be.'
There are many poets that use as my models. In my first book of poems, I had several for the "Sleepwalkers," I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.
President Obama had a few historians at the White House for a couple of dinners. I was lucky enough to be one of those asked, and he was very interested in Ronald Reagan, and I came away feeling that.
I had a happy childhood in a nice suburban area, pretty idyllic, upper middle class and very, very white. My dad is an attorney. My mother is a housewife. They had five kids in seven years: me, my brother, and three sisters. I'm the oldest. We were all very active. My mother was exhausted.
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