A Quote by Jenova Chen
Today, the era has changed. Everybody is indie now. Everybody making a random stupid mobile app is essentially indie, because they make it at home; they make it through Unity, and there are so many of them. We don't recognize everybody anymore.
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The end goal is to make a piece that everybody has ownership over and everybody's proud of because everybody contributed to it. I think there's a communist, socialist vibe to 'Portlandia' to make it work.
The thing is, everybody wants to be famous. Everybody wants to be successful. Everybody wants to be that dude, but not everybody wants to do the work for it. And I think that's probably one of the reasons why there's so many juniors and only a couple that make it. Because I really wanted it. I wanted it real bad.
I don't separate one era of jazz from another, because I listen to everybody... Everybody takes from everybody else and adds their own thing and goes on from there.
The scene in the DMV now is very united. I don't know if it's for everybody but everybody is showing love, everybody is showing support. Everybody is just trying to make a name for themselves and they are willing to help other people. Everybody is willing to network and do things with people outside of who they know.
Everybody is a film critic today, just like everybody who has a DSLR or a mobile phone is a photographer today. But, a saturation point will come some day.
I'm friends with everybody, I love everybody. I trust everybody because they don't give me reasons not to you know what I'm saying? So, if everybody just trusted everybody and if everybody just loved everybody then we'd live in a perfect world... you know what I'm saying? I mean, why not?
We grew up listening to alternative music from the '90s, and there was no shame in being on a major label and still making the music you wanted to make. I feel like rap rock came around and drew a line in the sand, and everybody that was like me ran away from that and started making indie-rock.
When we opened Babbo, we were an indie band. Now we're kinda Apple. We have 19 restaurants and 2,800 employees, we are no longer perceived as the indie band although we think of ourselves as the indie band, and we operate our restaurants as individual indie bands.
Everybody made mistakes for years, but by making them, everybody learned - myself, the franchise, coaches, players, LeBron, everybody.
Everybody was being decent, and when people are decent, thing work out for everybody. That has been my theory all through life. If you're making money, let the other fellow make it too. If somebody's getting hurt, it's bad, but if you can work a thing out so that everybody profits that's the ideal business.
I'm a professional world champion. Of course if you're a world champion, you're working harder than everybody else. You're making the commitment, and you're making the sacrifices. If it were easy, everybody would be able to do it. Everybody would be able to be world champion, but everybody can't be. Everybody doesn't have it in them.
I remember the days of auditioning and being nervous and so I really didn't want to make people have to jump through hoops to do auditions and be nervous and make them more nervous. I kind of wanted to hire everybody and find something for everybody.
I was a middle child. I grew up in Brooklyn with three sisters and a brother. You know what that means: everybody is constantly fighting with everybody and you are in the middle of the storm trying to make peace. That is your life. Making everybody work and play well together.
The point guard thing was I had to figure out how to score when I'm hot, and how to distribute and make sure everybody is happy. Because I can be happy scoring the ball. But when everybody isn't touching the ball, and we're not making the defense move, it's kind of pointless. So, I've got to find a way to keep everybody in the loop.
I'm kind of tired of chasing people, calling out everybody because I always do that. All I can do right now is be the guy to beat everybody else, so there's no more people that they can go and try to run and make fights and situations happen for them that we're allowing.
I make films because I am endlessly fascinated by people. I'm fascinated immediately to know about the lives that are going on around me. That is what drives me. And that is because everybody matters, everybody is there to be cared about, everybody is interesting and everybody is the potential central character in a story. Judging people is not acceptable.
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