A Quote by Jenova Chen

A great painter can paint something really complex, but they can crystallize it into something really simple. — © Jenova Chen
A great painter can paint something really complex, but they can crystallize it into something really simple.
I don't think simple is an insult. Something that's really simple and great is probably harder to do than something more complex.
When I write something simple I'm always really proud of it. When you write something that simple with that much air in it and the whole premise behind it is something pretty obvious - that everybody wants to be happy and free - the song is sort of an exercise in not forgetting that's what you really want and what you really need. We can get caught up in a lot of other stuff.
It's really complex to make something simple.
Something good happened to my writing when I stopped being afraid to do something simple, for the fear that people might think I couldn't do something more complex. Don't be confused by the word simple. Simple is not easy, it is clear voiced, and fearlessly elegant.
We like to crystallize something in the audience's brain that makes them say, 'Hey I really want to watch that. I'm really interested in it.'
If you're a painter, you don't go, 'Abstract's really selling, so that's what I'm going to do.' If you're really truly an artist, you have to think what you're meant to paint.
Paint records the most delicate gesture and the most tense. It tells whether the painter sat or stood or crouched in front of the canvas. Paint is a cast made of the painter's movements, a portrait of the painter's body and thoughts.
When I hear a great country song, I get chills and I want to cry. You feel something. And just sometimes that magic and the stars line up somehow or another, and it creates something that's really, really, really special.
People don't really care about lyrics anymore. It's kinda really sad, like they'll listen to something musically and has a really cool beat down or something, that's great, that's good enough; but the message is the most important thing.
I always feel like if someone has stage fright, I really try and say, "Listen, these people want you to succeed, they want to have a good evening. They want to see something really great. They don't want to see something crappy. They don't. They want to be at something really special."
I look for really great characters. I say great because as long as they're really good, there's something you can do. And really good storytelling. And when people ask me what the story is, I say it's really several stories really. They're intermeshed.
Human problems are complex. If something isn't complex it doesn't qualify as problematic. Very simple bad things are not worth troubling ourselves about.
As long as you are promoting something that you really believe in - yes, it's incredible to see that designer earn the esteem they deserve - but there's something to be said about the fact that if you're convicted about an opinion, and you really believe something's great, you're not going to credit yourself for their success.
Someone has asked me to paint Biblical pictures, and I say no, I'll not paint something that we know nothing about, might just as well paint something that will happen two thousand years hence.
It's so simple really: If you say you're going to do something, do it. If you start something, finish it.
I don't call my music 'gangsta rap.' I call my music reality, something that really happened, something that has really happened, something that will really happen, something that could really happen. It ain't nothing that I'm making up; I think that's why people listen to it.
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