A Quote by Jens Lekman
The beauty of the collage technique is that you're using sounds that have never met and were never supposed to meet. You introduce them to each other, at first they're a bit shy, clumsy, staring at their shoes. But you can sense there's something there. So you cut and paste a little bit and by the end of the song you can spot them in the corner, holding hands.
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Television is becoming a collage - there are so many channels that you move through them making a collage yourself. In that sense, everyone sees something a bit different.
Travel is the realm of the impossible adventures, the quick fix, the ship passing in the night. It entitles you to meet interesting people, whom you would never meet, even if you laid traps or advertised for them. Not only do you met them, but you also unmeet them, all in the space of, it often seems, a mere compacted evening. As there is so little time, bodies in motion drop their guard and immediately get on with their stories. Then the proverbial ships part, each to its destination, never again to brush each other's wake.
When I was a little bit younger The strain I was under could make me cry. Now I'm a little bit older, A little bit bolder, Never so shy
I got the opportunity to meet people all over the world. Brilliant women, tall women, short women, slim women, thick women, you name it. But, I don't meet them. I have the opportunities to and it's a little bit - I'm a little shy, so I don't meet them and I don't know who's right for me.
The crazy thing is I got all of these shoes, and probably 80 percent of them I've never worn before. I've worn all the glasses. I sleep in them, bend them up a little bit. Glasses are on all the time except when I'm at practice or at work.
I went to the Old Bailey, and I met a judge, and I was petrified, but they were like, 'Oh, you're an actor, well, great.' It was a bit like we're cut from the same cloth a little bit.
I had never considered using a hashtag anywhere other than on Twitter, but now I'm inspired. Text messages have always seemed a little flat to me, so the murmuring Greek chorus of a hashtag might be a perfect way to liven them up and give them a bit of dimension.
Where there's self importance, there's only a very little bit of you and that little bit is distorted. It's in a holding pattern that is false to what it knows. That holding pattern forbids you, in that little bit of you, from being the rest of you.
I do spend quite a bit on shoes, I've a pair of Swarovski crystal Louboutin shoes, I can never wear them but they look amazing.
I may have had many projects, but I never was free to carry out any of them. It did me little good to be holding the helm; no matter how strong my hands, the sudden and numerous waves were stronger still, and I was wise enough to yield to them rather than resist them obstinately and make the ship founder. Thus I never was truly my own master but was always ruled by circumstances.
Drummers get bored. You tell them to play something simple, and it gets more complicated as they do it. If they're not a composer, if they don't have any kind of investment in the music, they'll just add a bit there and another bit there, and you think no! Don't do that. So you end up using a drum machine.
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
Everybody has a little bit of the sun and moon in them. Everybody has a little bit of man, woman, and animal in them. Darks and lights in them. Everyone is part of a connected cosmic system. Part earth and sea, wind and fire, with some salt and dust swimming in them. We have a universe within ourselves that mimics the universe outside. None of us are just black or white, or never wrong and always right. No one. No one exists without polarities. Everybody has good and bad forces working with them, against them, and within them.
I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
they say in the old tales that when a man and woman exchange looks the way we did, their spirits mingle. their gaze is a rope of gold binding each other. even if they never meet again, they carry a little of the other with them always. they can never forget, and they can never be wholly happy again
Cole kissed me.. It was the sort of kiss that would take a long time to recover from. You could take each of our kisses, from the very first moment we'd met and put them on a slide in a microscope, and I was pretty sure what you'd find. Even an expert would see nothing on the first one, and then on the next one, the start of something - mostly outnumbered, easily destroyed - and then more and more until finally this one, something that even the untrained eye could spot. Evidence that we'd probably never be cured of each other, but we might be able to keep it from killing us.
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