A Quote by Jens Lekman

When I went through the break-up, I really looked for some kind of music, or art or literature that could say, "I've been in the same situation." I couldn't find anything at the moment, and that made me really sad.
Amanda [Bynes] and I are the same age so I grew up watching her and really looking up to her and for me, to see this path that's happening and to watch it, is kind of really affecting me in ways that I didn't think it would. It's weird to be in a situation where you can't help. I obviously don't know her at all but I want to bring her back and I want to make her happy and healthy for some reason and she's not there and we can't do anything to help so it kind of sucks. All we're doing is hurting it.
It was a frying-pan-to-the-face moment for me where I had to get humble and really cherish it. I was really sad when [Numbers] was over. I'll just say that. Really sad.
If you can find a group of women, any age, who are supportive and kind and love you, that's the best. I have a group of girlfriends that I would lay in front of a bus for. They've picked me up through really, really bad times and I can definitely say I've done the same for them.
I don't understand why people make me want to make music that's a join-the-dots thing by numbers. I find it really difficult when people say, 'Aw, you should have made a really big hip hop record, that would have been really good for you' or, 'You should have made a song like Lily Allen, that would have been so great.'
All the battles and wars I been through, and all the battle scars I got it's been a learning experience. Everything I been through made me the man I am so if it was different I would be different so I would say that I really learned something from every situation.
Through the history of art we can see through the emotional life, and sometimes the financial security of some of the artists, some transformation. And I really believe that it's generally about the same kind of transformation and the same kind of reaction. We are a little bit less individual than we would like to believe or guess we are.
I'm not very good at sounding like other people. When you're going through your 20's and trying to get a break and that kind of thing, and you're trying to do something that sounds like film music, your idea of what it would be, it never really worked out for me and it's only really when I learned to trust the fact that I could only really sound like me.
Me and my wife had somehow finally reached a moment in which our lives made sense, in which we were comfortable in certain material ways, and in that very moment we were faced with a medical situation that could only really be resolved with death or time. Suddenly we had become these people who didn't drink anything but kale, who ended many of our conversations with tears, and for whom no future was guaranteed. It was kind of funny.
I went to art school, and I studied drawing and video art, and I've always approached music so visually as a result that I found it really difficult in the past to kind of hand off music to another director, 'cause it just ends up being this kind of mid-zone where it's nobody's vision, really.
When I was done reading the poem, everyone was quiet. A very sad quiet. But the amazing thing was that it wasn’t a bad sad at all. It was just something that made everyone look around at each other and know that they were there. Sam and Patrick looked at me. And I looked at them. And I think they knew. Not anything specific really. They just knew. And I think that’s all you can ever ask from a friend.
In the NFL, there's never really that moment where you're like, Hey, I made the team. Or: Hey, you made the practice squad. You just kind of show up the next day and go to work. Nobody really says anything. You just kind of go to work.
Usually, I really only look at any one particular album at a time when I'm making it. I've never really sat and looked at the journey through all of my albums to see if I could find a thread through them.
Hearing is a subjective experience, but I never really understood that it's the same with seeing as well. I always thought that everything we see is the same for everyone. But having these more psychedelic experiences of being really, really sad made me realize how brittle reality can be.
I love life... Well yeah, and I'm sad, but at the same time I'm really happy that something could make me feel that sad. It's like, it makes me feel alive, you know? It makes me feel human. And the only way I could feel this sad now is if I felt somethin' really good before. So I have to take the bad with the good, so I guess what I'm feelin' is like a, beautiful sadness.
Music is what is going to save me," "On the bad days, when I have to look at the cold, hard facts of life, I see that this is not the music business I came up in and I have to be very, very objective and detached and say, 'what's good about it and what's bad about it?' Mostly, I'm finding it good that it's not the same old music business, because the music business I came up in really didn't advance anything I was doing, and I don't think it was particularly kind to a lot of artists.
I was an actor when I was a teenager and it could have been the direction that I headed in. But music and my relationship with music is quite deep, and it really is the nucleus of my creativity. So I gave up acting so I could pursue music fully, and I never thought about really going back. And then [director] Lee Daniels met me and wanted to work with me, and that's how it started.
This site uses cookies to ensure you get the best experience. More info...
Got it!