A Quote by Jens Lekman
I love a lot of old disco because it's aerodynamic, smooth, and very seductive.
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There was a movement called 'disco sucks', it was a shame to like disco, but then there was no music to dance to, so some DJs started to use old disco records, but the B-sides and the acapellas, and we began producing beats with drum machines.
That big hit 'Get Lucky' is a disco song - not only the melody and the whole concept, but we had one of the great disco guys and one of the best guitarists ever, Nile Rodgers, to play on it. So that's great disco, but a modern disco, because it has great vocoders and synthesizers.
When a man has seen the aerodynamic shape of a Caravelle jet at an airport, he doesn't need aerodynamic furniture.
I love listening to old records. Stuff from the '70s, even disco and funk records and a lot of early rock albums - what's great about those recordings is that you can actually hear the true tones of the drums themselves.
For me, a lot of my work has dealt with what it means to be at the center of the universe and how alienating and kind of seductive it is. A lot of my work is very aggressive and very visual, but at the same time, it has a lot of tension in it and makes you kind of uncomfortable sometimes.
The only dancing I did was at the discotheques. I was a very good disco dancer. I say that I learned disco dancing at the wrong places.
There are a million misconceptions about me but the greatest is probably that people think I'm the king of disco. I love disco but it is only one part of me.
I'm a constant editor. Every few months or so I make a ton of 4x6 prints. I put them on a magnetic board and I live with them for a while to see what bubbles to the surface. A lot of this was part of Disco Night originally, and I suddenly started realizing, "If I keep working on this because I'm not done and I put all that in Disco Night, how can this be one book? Is it going to be too long and bloated and crazy?".
I'm coming from a Ginuwine and Usher background: slow and smooth songs. And that's why I really connected to Sam Cooke, because he was just very smooth. It's not like the James Brown types, which is all great stuff, but he was totally set apart from those guys.
"Smooth Sailing" and "Hall of Fame" are my top two nicknames. "Cool Guy." "Jolly Jon." "Fun Jon." There's a lot of derivatives of Jon. "Cool Jon." Some people took "Smooth Sailing" and "Fun Jon" and made "Smooth Jon." That's a good one. It's just starting to catch on with the general public. Just every now and then, "Hey! Smooth Jon!" Or "You're Smooth Jon, right?!" People aren't quite sure. I'm like, "Yeah." "Okay, cool, that's what I thought!"
I think the T-Shirt bra is really special for Victoria's Secret because it's that kind of simple bra that you wear under the t-shirt, so it doesn't have any lace or anything like that. So it's very smooth; it's very comfortable; it doesn't have a lot of padding in it.
I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
Disco is the first technology music. And what I mean is that 'disco' music is named after discs, because when technology grew to where they didn't need a band in the clubs, the DJ played it on a disc.
'Fallout 76' is a very different 'Fallout' game. We're very aware of that. We think a lot of people will like it, because we like it. But a lot of people probably won't. We need to balance that. This is an idea we have, and there's a lot of old 'Fallout' stuff in it, but it's a very new experience.
There's something in human performance that is very smooth and very fluid, and at the same time it can be very precise, and that can take a lot of time, trial and error.
You have to love yourself before you can love anyone. I think that’s very, very important, no matter how old you are or what you’re doing. You have to be able to love yourself because that’s when things fall into place.
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