A Quote by Jens Lekman

When I performed the songs in front of an audience at the end of each project and I knew the storytellers were in the crowd listening, that was hard. — © Jens Lekman
When I performed the songs in front of an audience at the end of each project and I knew the storytellers were in the crowd listening, that was hard.
I performed six concerts all over the U.S.S.R. during the time of Gorbachev. The entire audience was Russian. There were no Indians. Period. The audience turned out in large numbers and gave standing ovations to all my songs. They knew each song. That was an amazing experience.
Every time I get in front of an audience, I do the best I can. I really don't look at it like, you know, 'This is gonna be this crowd, or that crowd.' If anything, I think about the demographics only because of what songs will entertain more than others.
I love nothing more than to perform my songs in front of a live audience. And whatever I'm doing is driven toward finding or writing songs and putting out hit songs that drive people coming to see me live. Because, at the end of the day, that's what I enjoy the most.
I wanted contemporary music to be treated the same as the traditional repertoire - performed regularly by people who knew each other and the music. That is the way you convince an audience.
When we played the back end of a horse we always knew that if we worked hard and did a good job we could become the front end.
I loved playing sport at school in front of a crowd; I love being on stage in front of a big audience. I buzz off that.
When I received the invitation to "check out" Fairport I knew absolutely nothing about them, all I knew was that they were beginning to establish themselves as an underground favorite, by playing regularly at the UFO club in Covent Garden. But the crowd I was running with at the time were listening to a completely different genre of music. So I had nothing to go on, there was nothing on vinyl, Fairport's recording days were still ahead of them.
From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
It's always hard for me to put the pieces together when listening to a finished album that I was a part of writing and playing. There are so many memories wrapped up in each note and each song that it's hard not to constantly flash back to what made that musical event happen while listening.
Even in a given territory what would work in one city in front of one crowd might not work in front of another crowd. Every crowd is different in what they are looking for and what they'll respond to.
At first it was kind of hard, because I had become used to just my phone screen in front of me. But sharing your songs with an audience is incredible.
Audiences of critical thinkers are my favorite kinds of audiences. There are jokes I tell in the show that don't get laughs unless I am in front of an audience of critical thinkers. Put me in front of a crowd of science teachers or astronauts! The guileless aren't our audience - it's the critical thinkers we love.
I actually love pressure. I loved playing sport at school in front of a crowd; I love being on stage in front of a big audience. I buzz off that.
The first song I ever performed in front of an audience was 'Make It Shine' by Victoria Justice.
At the end of the day, they're happy if you do the obvious songs towards the end of the set and you've got to try and make yourself happy by doing certain songs at the front end of the set.
My models were oral, were storytellers. Like my grandmothers and my aunts. It's true, a lot of people in my life were not literate in a formal sense, but they were storytellers. So I had this experience of just watching somebody spin a tale off the top of her head. I loved that.
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