A Quote by Jens Lekman
I lived in a suitcase for a year, and then a relationship brought me to New York for about four months, then I lived in Melbourne. Then I moved back to Gothenburg because the immigrant laws are strict for both Australia and the U.S., and I would have to marry someone to get into those countries. But I wouldn't really be able to get involved in a sham marriage without being able to tell anyone about it.
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I was actually born in Belgium and lived there until I was 11, then moved to Australia for a year, then moved to New Zealand, so I only lived there from when I was 12 to 18.
I move countries every three or four years. I was born in London, and we lived in Canada. Then we lived in Saudi Arabia until the Gulf War broke out, when we were forced to leave. Then we hop-scotched for a while from Holland back to Canada back to Saudi Arabia. Then there was D-day, so we had to get out again.
I moved back to Buffalo in 2009, and I had this moment where I wanted to have the best of both worlds. I wanted to be able to be in church and cook at home but then still get on a plane and fly back to New York and be this supermodel.
There's always something new with sex. We lived in a world without Viagra, now we live in a world with Viagra. We lived in a world without blowjobs and anilingus in the Oval Office, and then it happens and you get to write about it. We live in a world where now the government is screwing with contraception and holding back vaccines that could save 4,000 women's lives a year, and you get to write about that. It's not as much fun as anilingus in the Oval Office, but what are you going to do? If you pay attention, there's always something new, and it's always really invigorating.
I was born in the West Village in New York, and then when I was about four my family moved to what they joke is the suburbs, the Upper West Side. I lived there for most of my childhood.
My old songs used to take place in Gothenburg; then, when I lived in Melbourne, the songs just naturally took place more in Melbourne.
I lived in New York City, and when I was about 24 in the 1980s, I decided to get out of here. I wanted to go live in Australia for a year or something, and it ended up being 18 years.
Being able to tour and experience all of the stuff that comes from touring, and then being able to come back to Nashville, it's almost like therapy to be able to get into a session and talk about all of the things that I'm going through. It's so much more real to me.
I lived in Chicago until I was about 12, and then I moved to Dallas until I was 19. So I think both were probably the time right when I was about to get an accent, or I lost it right when I moved.
I don't want to be one of those people that complains about the rumours. I never like it when a celebrity goes on Twitter and says, "This isn't true!" It is what it is, I tend not to do that. The only time it gets really annoying is that if you get into a relationship and you get into a place where you really like someone and then things are being written in the papers that affect them and how they see you. Then it can get annoying.
A universal sound is about having everybody be able to relate to it whether you're in New York, LA, London or Australia. You have to be able to universally be brought back to a place where they can relate to you as an artist.
In terms of bullying, there are so many new laws in America, I am not sure about worldwide, but in America, the laws for bullying are getting strict. And I am really excited of how strict they are and I think it has cut down on a lot of bullying. As a kid I was a bully and I was bullied. I lived both sides of it. To see what is being done with bullying now is super important.
But live you get the chance every night to rework it and change it and hone it. But then you get the false, weird oddness of being able to look at it and say: "Well that's weird, because last night they laughed at that and yet they didn't tonight. So what did I do? Nothing was different." You have that strange thing of being able to tell within five minutes what an audience is like. Very quickly an audience gets a personality and you start to think: "What is it about you all; you all hate it, don't you?" Then you come out and have friends in and they say: "It was brilliant!"
I moved to Paris for two years, then to London, then New York in 2002. In that time, I also lived in Japan, Italy, Germany - I've been a bit of a gypsy.
I was born in St. Augustine, Florida. I lived there till I was about 13, and then my family moved to Connecticut. I finished school there, and then I went to college in Philadelphia and came to New York in '87. I wasn't finished with school - I left school to go on the road.
My father left us three times when I was between three and six. You just couldn't tell - suddenly one day he would leave and then maybe he would come back after six months without telling you why. And then maybe he would disappear again after a year and it's very difficult to take when you are four or five. You just don't know how to handle it and nobody in the family wants to talk about it. My mother didn't know how to tell us and she needed to work because we needed money to live.
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