A Quote by Jens Lekman
My first single was based around the mishearing of the words 'make believe' - 'I thought she said maple leaves.' That kind of stuff is very central to my music and my life.
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For hours she had lain in a kind of gentle torpor, not unlike that sweet lassitude which masters one in the hush of a midsummer noon, when the heat seems to have silenced the very birds and insects, and, lying sunk in the tasselled meadow grasses, one looks up through a level roofing of maple-leaves at the vast, shadowless, and unsuggestive blue.
A formidable game of 'Name That Influence' could be based on the music of the seductive rock duo Girls: The band's first single, 'Hellhole Ratrace,' would barely reach its opening words before screams of 'Elvis Costello!' and 'Wreckless Eric!' drown out the music.
Fire sat unbreathing. A life that was an apology for the life of his father: It was a notion she could understand, beyond words and thought. She understood it the way she understood music.
To some degree. I think that I've always been very much of a chordal person. The chords are the foundation of everything. Some of Yes' stuff is very linear, albeit complex, but it's single-line melodic stuff. So I kind of had to wear a different cap working with Yes. It's not so much chord-based.
The Christian idea of marriage is based on Christ's words that a man and wife are to be regarded as a single organism - for that is what the words 'one flesh' would be in modern English. And the Christians believe that when He said this He was not expressing a sentiment but stating a fact - just as one is stating a fact when one says that a lock and its key are one mechanism, or that a violin and a bow are one musical instrument.
Some people who make music are instantly very savvy about how they can get their music to communicate in a larger way. For me, the music was always first, and I put a lot of time and effort and thought into making the recordings. But everything else around it, all the things that were necessary to have a career in pop music, I was completely ill equipped to handle.
I hadn't really thought about the kind of music I wanted to make. I was just making raps and stuff. I thought that was the coolest thing in the world.
My first love is my mother. She did so much for us as children as a single parent. I watched her make a dollar out of fifteen cents. I thought she was either a magician or she had God's actual phone number. She wasn't a motivational speaker; she was an inspirational speaker.
She felt, as she felt so often with Murphy, spattered with words that went dead as soon as they sounded; each word obliterated, before it had time to make sense, by the word that came next; so that in the end she did not know what had been said. It was like difficult music heard for the first time.
I always say that comedians and actors were all kind of shy when they were young. I was very, believe it or not, kind of embarrassed as a child. But my mother was a very strong lady and she was the one that kept it going when I thought it would be over for me as a performer. She was always my inspiration and she was a big influence on me.
I think, when I started to become successful in the movie business, my mother was very, very worried. She thought no one would want to marry me and she thought that was the most important thing. And she thought that it would affect my personal relations. And she said how worried she was that people would take advantage of me or I would meet the wrong people. When I was made head of the studio, one of her first things was, "Well, now no one will marry you. I hope you'll be happy, whatever."
I sit where the leaves of the maple and the gnarled and knotted gum are circling and drifting around me.
I'm very interested in the distance and the space between those two poles: very concrete, song-based stuff on the one hand and very improvisational, abstract stuff on the other. I don't see any reason music should exclude one or the other, and I think the pairing of them together makes for very interesting music in a lot of ways.
She tore a page from the book and ripped it in half. Then a chapter. Soon, there was nothing but scraps of words littered between her legs and all around her. The words. Why did they have to exist? Without them, there wouldn't be any of this. Without words, the Führer was nothing. There would be no limping prisoners, no need for consolation or wordly tricks to make us feel better. What good were the words? She said it audibly now, to the orange-lit room. "What good are the words?
A solitary maple on a woodside flames in single scarlet, recalls nothing so much as the daughter of a noble house dressed for a fancy ball, with the whole family gathered around to admire her before she goes.
Well do I remember the first night we met, how you questioned my opinion that first impressions are perfect. You were right to do so, of course, but even then I suspected what I've come to believe most passionately these past weeks: from that first moment, I knew you were a dangerous woman, and I was in great peril of falling in love." She thought she should say something witty here. She said, "Really?
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