A Quote by Jens Lekman

I don't like irony and sarcasm very much. But I do like it when you think someone is telling you a joke, and then you discover it's serious. — © Jens Lekman
I don't like irony and sarcasm very much. But I do like it when you think someone is telling you a joke, and then you discover it's serious.
That's the difference between irony and sarcasm. Irony can be spontaneous, while sarcasm requires volition. You have to create sarcasm.
I don't like the word ironic. I like the word absurdity, and I don't really understand the word 'irony' too much. The irony comes when you try to verbalize the absurd. When irony happens without words, it's much more exalted.
In all honesty I think, sometimes with the LGBT community, if you look at anything else surrounding it, there's always been this oddness and sense of humor. I really appreciate that. It's kind of a hard world to take yourself too seriously. It's a good balance check. It's not serious all the time. I'm that way too, even though I write a lot of depressing music. A lot of times our shows are not very serious at all. We joke a lot and then we play a sad song and then we joke again.
I think that true love, fairy tales, the positive messages of positive stories - I don't think those ever die. Sometimes we like to hide them in sarcasm or irony, but they are still there, and they still move us.
I don't see much point in doing things for a pure joke. Every now and then you need a joke, but not so much as the people who spend all their lives constructing joke palaces think you do.
When I watch TV I can tell when someone is punching the joke and telling me when to laugh (I’ll decide when to laugh, thank you very much).
If you are getting into coaching right out of college, you're not one of the coaches because you're not really, like, a coach yet. You're someone who's in limbo all the time. Navigating that is not easy. If you try to be too much like a player, then the coaches are like, You're not too serious about coaching. If you're going to be too much like a coach, the players are not going to confide in anything.
You know, I liken it to - when you write a joke for somebody else, it's like you - you know, like the Wile E. Coyote dynamite plunger, where he pushes the plunger down and then you see the fuse go then there's an explosion in the distance? That's like writing a joke for somebody. When you tell the joke, you're in the explosion.
I think there are a lot of artists that are very traditional. I think someone can be a fan of someone like Josh Turner and then turn around and be a big fan of someone like Taylor Swift because, at the end of the day, it's all about those songs. I feel like country music has the best songwriting and the best songs of any genre.
You listen to any monologue on late-night TV or just in general, to people talking, and there's always a joke at someone's expense. It's sarcasm; it's nasty. Kids grow up hearing that, and they think that's what humor is, and they think it's OK. But that negativity permeates the entire planet.
Great use they have, when in the hands Of one like me, who understands, Who understands the time and place, The person, manner, and the grace, Which fools neglect; so that we find, If all the requisites are join'd, From whence a perfect joke must spring, A joke's a very serious thing.
I suppose a good director is like a teacher. I think that someone like David Cronenberg was very much like a teacher, because there's an openness, but a certain set of rules of behavior, and a certain conduct expected. But there's an atmosphere that's relaxed and conducive to exploration, and that is created by someone like Cronenberg.
I think people are always really surprised when they realise I'm not a very serious person and that I'm not tremendously serious about acting. I don't like to rehearse; I hate improv. Directors that don't like to talk, they're my favourite ones.
I'm a very serious guy. I try to counter that predisposition of being a serious person with all this tomfoolery that I love to do so much. I really enjoy it; that's why I do it. I don't like the way I am... perhaps my natural default is to be that way, and I don't like that.
I don't think that my art isn't serious. I think the subjects are not serious, or my treatments of the subjects are not serious. But then, I'm also putting down subject, because like the abstract expressionists, I don't think the subject is important.
When you discover your sexuality - like when you're little, you don't notice it. Then suddenly you're walking down the street and you're whistled at. And you're like, Oh, I have this power I didn't know about. And you also discover you're kind of prey. And you're like, Wait, that's confusing.
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