A Quote by Jens Lekman

I feel like it's my responsibility not to leave the listener in a pool of dread. — © Jens Lekman
I feel like it's my responsibility not to leave the listener in a pool of dread.
I think that's a responsibility I have, to not leave the listener with complete dread or depressing, dark thoughts, but to leave a little door open so that you can dance your way out if you want to.
I regard singing pretty much like acting. Each song is like playing a different role. I get very involved with my material. I feel a responsibility for the emotion it brings out in the listener.
I really feel a sense of responsibility first as a creation of a force that I call God, that's bigger than myself. And because I'm black, I feel the responsibility to that. I feel the responsibility to my womanness. But more importantly, I feel a responsibility to my humanness.
Music should be demanding for the listener. You can gain more out of it that way. I always try to leave space in the music for the listener to have their own experience of it, so it's not bombarded with only one meaning.
I've had people ask, 'Oh, do you feel like you're spearheading a movement?' And I don't. I feel that it's not just my responsibility to spearhead a whole movement, I feel like it's everyone's responsibility. If we want to see a change, we can't just put it on a couple people.
As an actor, I'm very much a company person. And this also goes through my life: I have a dread of responsibility. I like someone else to be in charge.
For me, the political part of being an actor is very tough. To sit somewhere and tell somebody why you should feel this way or that way about my character does not feel like my responsibility. It feels like the responsibility of the writer and the person who created it.
You know I'm old in some ways-in others-well, I'm just a little girl. I like sunshine and pretty things and cheerfulness-and I dread responsibility.
When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
As a woman, I don't feel like I have a responsibility to create better female characters. I feel like I have a responsibility to create good characters. Because the truth is, those kinds of things ghettoize us even more as writers.
Series finales have that responsibility to leave you feeling good about entire series. You want to feel like the viewer closes the book satisfied. And if you strike out on the finale it skews how you feel about the entire series.
I always wanted to kind of make the listener feel like it was them that I was talking about, or to the point that I could say the rhyme, and feel like it's them saying it.
A lot of times, I get asked, 'Do you feel you have a responsibility to young girls to be a role model?' I don't see that happening as much to guys. I feel like, just because I'm a girl, I'm supposed to take more responsibility? Is that how it works?
I feel like I'm a good listener.
I'm a writer in the world. I translate the confusion that I might feel, the dread that I know I feel, moving towards some other place, moving away from puny language, from all that dread into some other kind of language.
It's great advice - to open your eyes, have a little humility, and let go of ego. I think that instills in you a sense of responsibility. I also think you have to feel like you want to enrich your life, and you want to keep your eyes open, and you want to listen and be a good listener.
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