A Quote by Jens Lekman
I realized that even though I had this urge, this longing, to write about other people, in order for it to be emotionally gripping, I needed to be in there somehow.
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I realized that even though I believe with my whole heart in the power of music... it didn't provide any solid answers on how to heal myself and heal others so that they could overcome what had happened to them. I realized that I wanted to take a deeper look at life in order to be some kind of truly healing force in people's everyday lives.
It's rather useless to write a gripping narrative with nothing in it but climate change because novels are always about people even if they purport to be about rabbits or robots.
Even though novels were the love of my life, I started off writing poetry. I think because I had a knack for image and lyricism, even though I didn't really have anything to write about, or I didn't know what to write about. I could just couple words together that pleased me and so poetry seemed sort of natural.
The way in which people talk about climate is just so wonky and so abstract and such a boys' club that it makes a lot of women just roll their eyes or feel that they are somehow not qualified. I certainly had to fight that feeling in myself in order to write about it.
But even before that, in 1980 I went so far as to write a book about what had happened. And I wrote all about the bank robbery, I went ahead and printed it even though I had no use immunity for it.
I know there are writers who feel unhappy with domesticity and who even manufacture domestic turmoil in order to have something to write about. With me, though, the happier I feel, the better I write.
When I turned 19 I kinda realized that I needed to write my own songs instead of singing songs written by other people.
I wrote about a bird that cleaned a crocodile's teeth. The story was so good that my teacher could not believe that a ten-year-old could write that well. I was even punished because my teacher thought I'd lied about writing it! I had always loved to write, but it was then that I realized that I had a talent for it.
It's odd but even when I was a kid, I would write about 'old and other times' as though I had a lot of years behind me. Now I do, so there is a difference in the weight of memory.
I realized... that the artist is always alone. Early in life I had thought I needed other people to confirm or approve what I was doing.
Some writers research in order to write. I write in order to research topics that interest me. Especially if I can meet with other people, in forums from illness support groups to phone-sex hotlines, and learn what other people know best.
It’s Fitzgerald’s thin-but-durable urge to affirm that finally makes Gatsby worthy of being our Great American Novel. Its soaring conclusion tells us that, even though Gatsby dies and the small and corrupt survive, his longing was nonetheless magnificent.
I once said to someone when I was playing Lady Macbeth and they said: "That's tricky, emotionally, what do you do about murdering your husband's cousin?" And there are, of course, things that aren't in your personal repertoire that you have to somehow understand by reading or watching other things and listening to other people talk about them.
Yiddish, originally, in Eastern Europe was considered the language of children, of the illiterate, of women. And 500 years later, by the 19th century, by the 18th century, writers realized that, in order to communicate with the masses, they could no longer write in Hebrew. They needed to write in Yiddish, the language of the population.
The longing for order is at the same time a longing for death, because life is an incessant disruption of order.
I knew that I had to find out more about van Gogh. Even though I was far too young, and felt I did not have sufficient technique to write a book about Vincent van Gogh, I knew I had to try. If I didn't I would never write anything else.
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