A Quote by Jens Lekman

I grew up in the '90s and remember the lyrics back then were so abstract and open to interpretation. That always drove me crazy. — © Jens Lekman
I grew up in the '90s and remember the lyrics back then were so abstract and open to interpretation. That always drove me crazy.
The one thing that always drove me crazy, especially on soaps, was when someone would have something they were hiding, and then six months later, they were still holding onto that secret, and the world has come to a complete, total end as a result of it. If they'd only just confessed!
I feel like I've always been a weirdo. I always grew up with the sense of being a total outsider. I grew up so alienated from other people, and it never went away. When I'm around "normal" people I behave around them as if they are crazy, which makes me seem crazy.
One night, I remember being really sick in bed with chills and a fever when Ann came in all excited and said, 'I have these lyrics! Let me read them to you!' They were the lyrics to 'Crazy on You,' and in my fever haze I said, 'Yeah! Those are really good!'
I grew up in the '90s. My goal isn't to be a '90s rapper, but I have little hints of '90s influence in my music. It's a modern approach to classic rap.
Lyrics came quite easy early on in my career. But I always wanted to push it further and stand out a bit more. We were coming from the garage era when lyrics were simplified, purposefully, to work in the club environment. They were about hyping up a crowd or bigging up a DJ. Moving into grime, our lyrics became more in-depth.
I see some of the clothes from the '90s is back in fashion. That really freaks me out because that's when I grew up.
I hated the lost colony; in second grade, we were doing American History, and they said, We don't know what happened to them. That drove me nuts. That lost colony drove me crazy.
Lyrics are important, but it's hard, because English isn't my first language - although it feels like it is these days! I grew up with amazing melodies, so getting that right on a song has always been the key thing for me, but there's no reason why a great melody doesn't deserve great lyrics.
Usually I will hear a sample, think of a theme and then it will take me a couple of days to write down some lyrics. Then I will decide that I hate those lyrics and rewrite. Then I will change all the music around. Then I will rewrite all the lyrics again. I am a bit of a perfectionist although you would never know it because all my songs are like chopped up and @#$%& up, but you see that's on purpose.
I've never understood the use of vulgar language, but the definition of 'risque' is open to interpretation. I suppose I did many things in my shows that could be considered risque... at the time... right up until my 90s.
I love lyrics. I've always been averse to the straight lyric idea. I guess a big part of it is, that songs that are literary always turn me off. Because they feel so abstract. Like a song. What is a song? We have to remember what the function of a concert and the function of playing a song for people are. It's all become really abstracted.
In the early '90s, my cousin gave me a Snoop Dogg cassette tape, and the rawness of the lyrics were something new to me.
I feel more comfortable performing when I'm wearing something crazy. I grew up in the '90s, so I love a choker and platform shoes like the Spice Girls wore.
I'm not going to do anything crazy, but I want to do music that I'm passionate about. I'm finally at an age where I can do the music that I grew up loving, which was urban pop, '90s music. I grew up listening to the divas, so I'm very happy to finally do urban pop. I hope that it's received well, and it has been so far.
I remember being 12 or 13 and listening to 'Son of Hickory Holler's Tramp' by OC Smith. It reminds me of holidays in Cornwall, driving in a big estate car, me and my brother sleeping in the back, we would get up early and my dad would put pillows on the back seat and we would lay on the back seat while we drove off on holiday.
I grew up in a small town where you know everyone, .. I've been told all my life that I come from too small a town to compete with some of the guys that competed in a higher level growing up. And that kind of drove me through college and drove me in the minor leagues, because I got to face all those big 5- A [school district] guys in the minors.
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