A Quote by Jens Lekman

It's not difficult getting into the charts in Sweden. It's a very different musical climate, and in a very good way, I think, because artists like Jose Gonzalez or The Knife can actually get on the charts.
A lot of people they don’t know that Africans even named the stars, that different peoples, different so-called native peoples, have their own names for the stars, and have star charts just as accurate as the Chinese star charts, which are more ancient than the European star charts or even the Arabic ones or the star charts of the New World civilizations. Everybody’s got their own cosmology. Everybody’s got their own description of the universe.
When I get compared to artists like Jose Gonzalez or Bon Iver, I can't help but think, "I've been doing this since they were in third grade."
I think climate change is probably the most extreme, and it's been going on for years because it's very difficult to talk about a planetary issue like climate change and to get people who live within four-year electoral cycles to actually pay attention to something that you predict is happening way in the future.
I'm not going to lie. I check the iTunes charts. It's all about the iTunes charts. I only go on the Internet for the iTunes charts and basketball blogs.
I think Korea is so focused on just the charts, and what's going to chart and what's not, and I'm sure it's like that way in the States as well, to a certain degree. But I enjoy working in the States a little bit more. Because it's more about making music that is the right sound and the right fit to me, not so much just chasing the charts.
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
It'd be negligent to say that I don't want to be at the top of the charts. Of course I do, it's proof that your song is being heard. But I think it's more about the work for me and being proud of what I'm doing in music than what people think about my music. I want to like my music before you like it. I don't want to sell anything that I don't really like. I don't want to sell myself short just to get to the top of the charts. It doesn't feel that great. Feeling proud of your work feels greater than being at the top of the charts.
Most of the artists I know are crazy in one way or another. I think that's why you get into it. You're in pursuit of a certain sort of peace that's very, very, very difficult to come by.
I find it quite difficult on studio films because there are so many different executives and things like that that you have to go through, so very often getting that definitive opinion is actually quite difficult.
Artists have the unique ability to tell stories. It's not charts and graphs that get people to change.
The music I make is very underground-sounding, it doesn't sound like it goes into the charts. It doesn't sound like it's trying to fit into today's style. So I think I have already a vibrating tool to an art form that isn't the mainstream. I'm very outside of the mainstream in my taste of music.
The next time you have a choice between chasing the charts (whichever charts you keep track of) and doing the work your customers crave, do the work instead.
My reading was good enough to play big-band charts, but I ran into trouble with Claude (Thornhill)'s theme song "Snowfall," which had a repeating bass line in D-flat that was very difficult for me to finger using my self-taught technique. I spent one morning figuring out an alternate fingering, and that started me on the way to learning a better use of the fingerboard.
I don't really look at the charts at all. If anything, I try to out-do what I've done before. I try to make music that I like and I trust my own judgement with what will work with a wider audience. If you compare yourself to the charts, you lose perspective on what you're doing and why you're doing it.
Hit songs did not come out of musicals. Pop-rock was creating the hits. There were very few songs that made the charts out of any Broadway musical.
I think it's a slightly crazy time actually, it's very difficult to satirise because each of politicians is in their own way enacting a commentary on the world of politics anyway. To then comment on them just feels like adding another layer. I find it very difficult to do jokes about current politics because for me it's all about... I actually genuinely want people to be involved properly, you know? I mean, the number of people who don't vote... Frightening, really.
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