A Quote by Jens Lekman
Hmm... at some point when I was making 'Postcards,' it struck me, what the underlying themes for the record would be. It would be about choices, fears and doubts, and it had an existentialist theme to it.
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It struck me at some point that the things I wanted to say had to be wordless. I had to renounce words in order to go deep into the practice of making materials and textures that would express what I'm trying to say more accurately.
I had to battle the doubts and fears for a while, but I committed to making sure that my strongest emotion was self-belief. Once I did that, I knew I would be OK.
[on River Phoenix] I would love to see what kind of choices he would be making now if he was still around, some of the characters that he would have played. I mean, to me he was like a rock star, you know, he had it all: he had the looks, he had a great name, he had an attitude, an energy, an excitement about him. He was instinctively like a, he was a rebel, you know? He was kind of Bob Dylan to me, at times, and he had a lot to say. And I've never seen too many interviews by him, but the ones that I saw were pretty electric, pretty... he was switched on, definitely.
I used to write travel essays, and I was struck by how the fact of writing about a place would change my relationship with it. I would make completely different choices, do things I wouldn't have normally, because I had to fill this narrative shape.
First we have to understand what doubts and fears are, how anxiety and doubts and fears come about. They are a psychic disease.
For me, I look at a project that has a story that's going to resonate in some way. It doesn't have to be about a message. It doesn't have to have some underlying theme of overwhelming importance.
Both Christian and Adrian had worried there would be some piece of Strigoi left in him, but their fears had been about violence and bloodshed. No one would have guessed this: that living as a Strigoi had hardened his heart, killing any chance of him loving anyone. Killing any chance of him loving me. And I was pretty sure that if that was the case, then part of me would die too.
[Robert] Ford had the idea that through fame he would receive some personal validity, but he didn't. I feel that these are not the main themes, but certainly themes that are at play in this film [Assassination of Jesse James].
incessant adj. The doubts. You had to save me from my constant doubts. That deep-seeded feeling that I wasn't good enough for anything I was a fake at my job I wasn't your equal my friends would forget me if I moved away for a month. It wasn't as easy as hearing voices nobody was telling me this. It was just something I knew. Everyone else was playing along but I was sure that one day they would all stop.
I was probably 16.I played - I tried to play these songs that I had written. And, this was a common theme when I was younger: I would write a song about somebody, and they would come to my show. I wouldn't be able to play the whole thing, because, there would be some giant, loaded secret coming up in like, the third verse, or something.
I wrote the poems in Charms Against Lightning one by one, over almost a decade, and I did not write them toward any theme or narrative. But once I really got serious about putting together a book, I began to see that in fact there were themes across the poems, if only because my own obsessions had brought me back time and again to the same ground. I realized that any ordering of the poems would determine how those themes developed over the manuscript, and how the collection's dramatic conflicts were resolved.
I realize that 'Postcards' was like input, and 'Ghostwriting' was output. I had all these frustrations and feelings before I did those two projects. 'Postcards' was something that brought new life and creative inspiration into the record, while 'Ghostwriting' was relieving myself.
This ship was a league from us, and some of the men would have taken her, and I would not consent to it, and this Moore said I always hindered them making their fortunes. Was that not the reason I struck him? Was there a mutiny on board?
I don't know that any woman could ever not think about that at some point - even making the choice not to do it and getting to the place of peace of choosing not to be a parent, there would have still been some struggle in between. I'm not a man but I don't think it would occupy their minds as much.
I would have loved to record with Paul McCartney on some of his early solo recordings, wonderful music. Playing some lovely organ, perhaps. I would have loved to record with John Lennon. He was a dear friend. I had lunch with him just two days before he died.
If Hillary Clinton would have left Bill, that would have ended his presidency, not via impeachment but that would have elevated his total lack of character. It would have been the discussion. It would have been the topic point. She shielded all that. There would have been no vast right-wing conspiracy theme that the media did pick up to blame for all that. There wouldn't have been any Hillary and Bill foundation. There wouldn't have been all this fundraising. If she hadn't, she wouldn't have been picked for Obama's whatever if she had run and lost, if everything else had happened.
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