A Quote by Jens Lekman

I think a lot of my anxieties and fears are things that are very abstract. — © Jens Lekman
I think a lot of my anxieties and fears are things that are very abstract.
A lot of my fears and anxieties are the fears and anxieties of a six-year-old boy. When I finally confront them, they're really small.
I don't know the meaning of life. I don't know why we are here. I think life is full of anxieties and fears and tears. It has a lot of grief in it, and it can be very grim. And I do not want to be the one who tries to tell somebody else what life is all about. To me it's a complete mystery.
All our anxieties relate to time. The major problems of psychiatry revolve around an analysis of the despair, pessimism, melancholy, and complexes that are the inheritances of what has been or with the fears, anxieties, worries, that are the imaginings of what will be.
Nighttime is different. Things are otherwise when the world is black. Insecurities and hurts, anxieties and fears grow teeth at night. p493
The fears that assault us are mostly simple anxieties about social skills, about intimacy, about likeableness, or about performance. We need not give emotional food or charge to these fears or become attached to them. We don’t even have to shame ourselves for having these fears. Simply ask your fears, “What are you trying to teach me?” Some say that FEAR is merely an acronym for “False Evidence Appearing Real.” From Everything Belongs, p. 143
If you know anything about the issues in our country, you know we have a lot of deep-rooted anger and anxieties that spark a lot of passion. When you talk about our national anthem or the flag or race relations or the criminal justice system, it brings up a lot of those fears and insecurities.
The engine room really is a metaphor for my head, and all the things bangin' around, and I think I share that with a lot of people. A lot of memories, and a lot of hopes, and a lot of just dealing with the day-to-day. Sometimes it gets all abstract.
I think that Donald Trump picked on people's fears, their anxieties and he gave them somebody to blame, and some folks just really turned out for him for that.
There are a lot of movies I would want to be a fly on the wall for. I would have loved to see the making of Jaws [1975], with all the fears and anxieties it was going to be a complete failure, and then to have it turn into the first blockbuster.
I have a couple of what I call "buttons" - fears or anxieties that when tweaked can cause me to be vulnerable. Fear of failure, not being good enough, and abandonment are my main buttons. However, they have diminished greatly over the years as I have really confronted those fears in order to work through them.
As far as Marx's analysis of capitalism, there's a lot of very useful ideas in it, but he's developing an abstract model of 19th century capitalism. It's abstract and it's changed.
A lot of my work is about what's abstract and what's pictorial. Is it bubblegum, or is it an abstract painting using bubblegum? The energy comes from walking that line and watching things dip this way and that.
The fears and anxieties and obsessions wrapped up in being a parent.
When you're appealing to people's fears and anxieties, you can make some gains.
Thatcherism, as an ideology, addresses the fears, the anxieties, the lost identities, of a people. It invites us to think about politics in images. It is addressed to our collective fantasies, to Britain as an imagined community, to the social imaginary.
I'm comfortable in any situation. I don't have fears about a lot of things. It's not a survival thing, but on a farm, you always look after yourself. You're very independent, but you're still very family-oriented.
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