A Quote by Jens Spahn

Every time I see niqabs, I feel very uncomfortable because it's the opposite of my idea of opened society. — © Jens Spahn
Every time I see niqabs, I feel very uncomfortable because it's the opposite of my idea of opened society.
Every time I see you, I feel like I'm waiting for the other shoe to fall. I feel uncomfortable every time I see you, and every time we talk, my throat tickles.
I still feel very uncomfortable with the term 'celebrity' because I don't see myself as one.
There are some directors, lesser in confidence or skill, who make the actor feel very uncomfortable because you feel you're auditioning for them, every day, and that's a terrible feeling on the set.
Why are we so addicted to factual knowledge? Why are we so uncomfortable with the unknown? Is it something about the anxiety of our time? Because of course that wasn't always the way. Even now the whole idea of the rational individual has been subject to question and yet we still cling to this idea of factual, rational knowledge being more valuable than whatever its opposite might be.
The reason I became 297 pounds is because that was comfortable. What was very uncomfortable was running. What was very uncomfortable was being on a diet. What was very uncomfortable was trying to face things that I didn't want to face. And I also realized, when I was really big, I had no growth. Why? Because I was living comfortable.
I feel like every time a door is opened by science, suddenly there are a hundred doors that need to get opened. That's what makes it an everlasting, interesting experience to go through.
I like making series, for a couple reasons. One, the repetition of routine is very healthy because I can get a little crazy; I want to be making things all the time. And if I publish something every week, I don't have to put every idea I have into one piece. It's more like, here's one idea: execute it, see it through, think about it, do it the best you can. And then there are going to be ten more ideas that come while you're making that, because creativity works that way.
I see two opposite tendencies in Turkish society: people feel demoralized, they lose the interest in politics and retreat to their private lives; or they become very angry and even more politicized, and radicalized. Both trends are troublesome.
Leadership is scarce because few people are willing to go through the discomfort required to lead. This scarcity makes leadership valuable...It's uncomfortable to stand up in front of strangers. It's uncomfortable to propose an idea that might fail. It's uncomfortable to challenge the status quo. It's uncomfortable to resist the urge to settle...If you're not uncomfortable in your work as a leader, it's almost certain you're not reaching your potential as a leader.
The reason they're called the opposite sex is because every time you think you have your wife fooled - it's just the opposite!
On a very, very basic level, I'm definitely pro market because with the market comes the idea of the individual and the idea of specialisation, and I personally like being an individual and choosing my interactions. I don't see culture moving away from that, like back to a farming society. You couldn't do that with the amount of people we have.
The idea of writer as sage is pretty much dead today. I would certainly feel very uncomfortable in the role.
For better or worse we live in a very exposing [time] where, if you choose to, everyone can see everyone's business. You see what they're having for breakfast, where they are, what they're doing. Whereas I think that classic idea of mystery is very seductive. Not knowing every single thing about a person, what they're thinking, that's very powerful. And it would be a shame if we lost that totally.
There's nothing I've done that I feel a lot of regret over because I stuck to my guns, even when it got uncomfortable - and it will get uncomfortable because you're going up against the wall.
If I'm uncomfortable on stage, everybody can see it. I'm not very good at hiding it. I like long, loose jacket dresses - anything that I can literally have room to move in - not that I'm a very big dancer, but because sometimes I'm sitting down at the keyboard, and then sometimes I'm standing. It just has to feel good.
I was very resistant to my intellectualism for a while. I do start with an intellectual idea for a character. A lot of the times, it'll be the opposite of what I feel like is on the page, or it'll be just an idea that I read in a psychology textbook or in a philosophy book. I'll apply something to it that I can start to tinker with.
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