A Quote by Jenson Button

My time at Honda was amazing. Some of my best times in Formula One, actually. I might not have won races, just one race, but I had a lot of fun. — © Jenson Button
My time at Honda was amazing. Some of my best times in Formula One, actually. I might not have won races, just one race, but I had a lot of fun.
It definitely is very exciting running against professionals now. Many of the runners in my races have amazing resumes and a lot of experience, so I just remind myself that every race is just a learning experience.
There were a lot of races I was going to win at Milwaukee, but I had mechanical problems or something would happen, ... In the early years, it just took a long time for me to win a race. I got in somebody's oil one time and got in the wall, had a clutch go out once. . . so when I finally won one, it was a long time coming.
To be completely honest, I am obsessed with Formula 1 so in the off-season I would like to have just a few more races to still race in F1.
If Honda does not race, there is no Honda.
The Negro race, like all races, is going to be saved by its exceptional men. The problem of education, then, among Negroes must first of all deal with the Talented Tenth; it is the problem of developing the Best of this race that they may guide the Mass away from the contamination and death of the Worst, in their own and other races.
Despite whoever created it, it's my world, & the only one I've got. Might as well make the best of it, right? Might as well have a little fun while I'm here. Or a lot of fun. Might be dead tomorrow.
In 1998 Harry Reid and I had a very close race. It was less than a tenth of a percentage point. We had a reasonable recount. There were a lot of things that I could have pursued at the time, but I just felt that at the time that I should have, you know, conceded the race.
I go to see grand prix every year, and I watch every race on TV for sure. I probably go to three or four CART races and three or four Formula One races.
I think I've always had an activist stance, yet at the same time, the other side of me - and this is where some people just don't get it, or they'd prefer it if the work was a lot uglier, a lot louder - I have this personality where I just want to put something out that's a fact and then let you interpret it. It's almost as if you might barely notice it, you might walk right by it, but you have to pay attention.
I look for stories that tell transformative, emotional journeys, have big emotional worlds, feel very relevant and true to the times we're living in - even though they might be of a different time - have a sense of real intimacy with larger forces at work, where there's some kind of social injustice and inequity happening that needs to be conquered or addressed. I find historically that's the formula for a lot of successful operas.
I have a lot of great racing memories growing up in Europe as a young boy - playing with car parts on my dad's desk, watching the races on Sunday afternoons to try and spot him on TV, even having the chance to go to Formula 1 races where he was working.
There were a couple of times that we did end up moving the set [of Helix] outside to shoot some of the outside scenes, just because we needed a bit more space, and that ended up being a little bit more helpful and easier to breathe, when you're dealing with some of the fake snow stuff. It was a lot of fun, and it looks amazing.
I had a lot of good times. I had a lot of fun. I liked what I was doing, so I just kept doing it. At the Tape Music Center, I was working from midnight to four in the morning. Because then it was quiet, nobody was there, and I could just do my work. I didn't have to fool around.
To some extent it [Mr. Bush's standing in the polls] is affecting the races, but only because the races really haven't begun. At some point these races are going to be about the two candidates in each race. This is ultimately not going to be about Bush helping or hurting someone getting elected, but ultimately will be about the candidates' records.
The best benefit that blogs can provide a campaign is actually to build buzz. It provides earned media for the candidates the bloggers are supporting. It generates attention from traditional party organizations, the labor unions. And the issue groups that might not have even known that race existed and not have considered putting money into it now realize, 'OK, this is getting a lot of buzz, we're going to start putting resources into the race.' It motivates a lot of big-dollar donors to put money into these candidates.
I feel like people who criticize authors for being self-promotional fail to recognize that a lot of times their ability to continue writing hinges on sales and recognition. Some of it is for fun, some of it is for ego, but a lot of it is just writers trying to ensure longevity to their career.
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