A Quote by Jenson Button

I like old tunes when I'm driving. They're fun and uplifting. Billy Ocean, that kind of thing. — © Jenson Button
I like old tunes when I'm driving. They're fun and uplifting. Billy Ocean, that kind of thing.
I used to sneak gospel tunes into my old records, just as kind of a personal thing.
I do catch myself driving around singing tunes, but I don't know if it's necessarily show tunes.
I started driving really late. It was super freeing and fun to be able to just drive by myself. But the thing is, I don't really like driving.
The best thing as an actor, the best tool you have is your imagination. That you kind of take things that have happened, and then go and expand on them. However small it is, you use your imagination to create what that reality is. There's something kind of fun when you're not old enough to do anything, driving a car, getting into a bar, drinking, going to a party you don't belong to, something when you're young in that innocent way.
I'm still kind of a hapless character in my everyday life. But when it comes to the writing, my influences are very old influences. I love American music of absolutely all stripes, including show tunes, advertising jingles, theme tunes from quiz shows, all kinds of American music.
Yeah I do and I don't mind, in fact that is one of the real encouraging things about this whole career of mine is that there are tunes I wrote almost thirty years ago that I will still play in front of an audience and I still like the old tunes.
"Isn't it fun getting older?" is really a terrible fallacy. That's like saying I prefer driving an old car with a flat tire.
You know, Billy Corgan has a big vision. He has a great idea for what he wants to do and how he wants to distribute it and I have always liked Billy and Dave Lagana's platform as far as being more character-driven and just kind of let us do our own thing and let the talent be talented.
I did some really heavy, intensive clinics with Billy Robinson. Anyone that knows anything about Billy, he was a mean old dude! I survived training with him and Josh Barnett, right in the same vein, my head coach for, like, 12 years.
Driving to set for 'The Rig', the route went right past my old secondary school. Every morning when I was going to work, I was passing Leithy and thinking: 'Oh my God, there's where Billy Gilfillan punched me in the mouth' or whatever.
I am no fun at all. In fact, I am anti-fun. Not as in anti-violence, but as in anti-matter. I am not so much against fun - although I suppose I kind of am - as I am the opposite of fun. I suck the fun out of a room. Or perhaps I'm just a different kind of fun; the kind that leaves on bereft of hope; the kind of fun that ends in tears.
Driving jobholders out of office is like the old discredited policy of driving prostitutes out of town. Their places are immediately taken by others who are precisely like them.
Age is a state of old mind. It gets to a point where if you get old enough, you forget how old you are, and that's the best thing. And then you walk around kind of like in a fog.
I do very few standards. Hardly any. Other people's tunes that I do are usually obscure tunes, for the most part, although I do a couple of Duke Ellington tunes that are well known.
For some reason, I deliberately allow for simple things like three chords to mystify me. It's kind of fun that way. Like Billy Gibbons' guitar sound isn't the way it is because he uses a quarter as a pick or anything as simple as that; it's because he's in touch with a different sector of the cosmos that we know nothing about.
When we started the show [Lonesome Dove], Suzanne De Passe - who had done the original miniseries and still owned the property and was turning it into this series - she brought in a lot of old friends - Diahann Carroll and Billy Dee Williams and Dennis Weaver. And we had an interesting collection off the top of these old seasoned actors. Billy Dee was lovely and iconic.
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