A Quote by Jeon Yeo-been

While I'm filming, I'm often immersed in the emotions and situations of the character. But when the filming is over, I'm quick to return to my daily life. — © Jeon Yeo-been
While I'm filming, I'm often immersed in the emotions and situations of the character. But when the filming is over, I'm quick to return to my daily life.
I went from basically filming in my bedroom by myself, filming some funny videos, and then overnight, I switched into filming in some studios and some warehouses and family homes. I started filming with directors and producers and editors, and there were so many people in the room, so it was definitely weird.
That was an amazing time period [ CBGB filming] to transport to during filming - the clothes, the music, the lifestyle - it really helps to get into character when there's so much that changes from the moment you step onto the set.
I've tried watching shows before while I'm filming and it doesn't go good because I binge-watch all night and then I wake up with like one hour of sleep on my filming day.
We were filming the West Wing on the set one day in DC and Madeleine Albright comes by the set. I mean, when does that happen? You turn around and there's the former Secretary of State just sitting there. After the Clinton administration finished we were filming right outside the White House and John Podesta comes walking up while we're out there filming. Just strolling by the set - the former Chief of Staff! Things like that would happen all the time.
I often find myself feeling that filming music is somehow the purest form of filmmaking. This crazed collision of sound and images, the intense collaboration, these incredibly cinematic performances. And for the nights you're filming, a non-player like me gets to feel somehow part of the band.
It's a weird thing... putting your emotions out there for everybody to see while filming. I think it puts you in a kind of vulnerable state.
When you do television, you're filming out of sequence sometimes. You have to ground yourself very quickly in the character and in the work and in the words. I think theater allowed me that sort of sharp, quick focus to do that.
It might sound odd, but filming a soap is closer to acting in a play than filming episodic television.
It's actually a character choice for a movie I've been filming in South Korea called Okja. My director had this idea of having my hair be a very vibrant red/pink/watermelon color. We haven't finished filming so I'm kind of riding the wave of the red hair right now in terms of everything else that I have to do with The Last Tycoon press and you know, regular life. I'm really loving it. It's turning into a thing for me.
I was so used to documentary filming, where it's one take. You can't really say, 'Make that elephant charge again!' And you talk to the camera. With movie filming, you're talking to someone else.
It's a strange thing when someone passes away. It's always when you're not expecting it that you're affected by it. When we first started filming, we were filming with existing characters in a location that we'd never been before.
Within the process of filming, unexpected situations occur.
While we're filming 'Bake Off,' I can get really cold, so I'm often holding a hot-water bottle or layered up under an anorak and a warm hat.
My family, they're not really that involved in what I do. Career-wise, they're very supportive. They're involved after the fact. I don't tell them anything usually until I'm finished filming it or mid-way through filming it.
Even though you're filming something and it's all scripted, there's still a sense of ritual about it because you're filming a ritual. It has all these little details that you want to capture, and a very specific mood and tone.
Sometimes filming can be grueling when you're shooting the same scene for a week, or you're sitting around for 7 hours a day. They sound like very first-world champagne problems. I don't mean to sound like life is so hard, but filming sometimes is tougher than other times.
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