A Quote by Jeongyeon
After I wrote 'Sweet Summer Day,' Jihyo did the guide recording. We did that in our apartment, revising the lyrics together, allocating parts to members and discussing the song together.
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My first album after 'American Idol' I did with Desmond - we paid for it together, and we literally were together working on it every day for a year and half, just writing. We wrote in New York, Nashville, L.A., Sweden - we wrote with some other amazing songwriters like Diane Warren, too.
'Sweet Summer Day' was inspired by wanting to write the perfect summer song! Both Chaeyoung and myself had ideas for lyrics, and the song formed naturally!
The songwriting did come naturally; it really did. Like Joe said, the first song we ever wrote together was the song that got us signed, you know, so it was either luck, fate, or something in between.
I remember, when Paul Collingwood first came into the dressing room, we did everything together. We practised together, trained together, had dinner together; we batted together and did well in games together - we were thick as thieves. When he got established, he just binned me.
There are parts in albums where I wrote a lot of the lyrics. There are parts on albums where Steve wrote a lot of the lyrics, even albums where Steve did the majority of the lyric writing. Then there were albums like 'Coming Home' where I did most of the chorus lyric writing. But it was always split.
As a conscientious objector I did my community service in 1971 in a psychiatric hospital and a friend there, who also was a guitar player, invited me one day to join him recording film music with a band named Kraftwerk which I didn't know at the time. I came along and jammed at this session together with Ralf Hütter and a drummer (I believe his name was Charly Weiß). Florian Schneider and Klaus Dinger were present as listeners and everybody liked the spontaneous music we did together.
See, I never wrote arrangements for the band for Judy Garland; I did strictly special material, special lyrics, put together all of her medleys.
We had our moment [with Marc Anthony] in the third or fourth year that we were married, when we did everything together: We did "El Cantante," we did the tour, we made all the music together, he produced my album [2007's Spanish-language "Como Ama una Mujer"]. That was a really beautiful time for us.
It was what I did after school. I'd learn a song in choir that day and I'd sing it, all the parts.
There's a song called 'All We'd Ever Need,' which is actually the first song that the three of us wrote together on our first album, and when we wrote that song I didn't have any real experience to pull from.
I know Busta Rhymes for about a year now and we did a song together and we got an album together which is called "Godzilla vs. King Kong", which is going to be me and Busta. That was really the first time we rocked together on stage.
It was more about getting together with other musicians and playing live. I needed to suss out a full set [for the Last Summer tour], and I didn't want to play Fiery Furnaces material. So half of our set was new songs that we ended up recording for this album. And that made such a huge difference - going into the studio after playing a song for two years, knowing it inside-out and having sung it millions of times, and then recording it is a totally satisfying experience. You're suddenly in this controlled environment and you can make it sound exactly as you've been imagining it.
I love Jane [Krakowski]. Jane's been a dear friend for maybe a dozen years. We've worked together on many shows and concerts and readings. We did 'Damn Yankees' together and then we did 'Xanadu.' Jane did all the workshops of 'Xanadu' before it moved to Broadway. She's hysterical and our voices blended. We had a similar sensibility.
Both my sisters and I were in Stage Door plays, and we did that together, just in, like, little small plays together. And we did that, and it was really fun, and we kinda did commercials, and it kinda took off from there. It was great; it's what I love.
We must delight in each other, make others conditions our own, rejoice together, mourn together, labor and suffer together, always having before our eyes our commission and community in the work, our community as members of the same body.
Look what we are trying. You call it dharma, but it is not. What we are trying is to come together; come together to an understanding. The difference is, the discipline is, the commitment is that we are going to come together with the following guiding lines: 'May the long time sun shine upon you, all love surround you, and the pure light within you guide your way on.' When we came together we decided we would guide our way on. My way and your way we already know, so we do not need to learn that. Each one of you knows 'my' way and 'your' way. All we have to learn is 'our' way."
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