A Quote by Jeph Loeb

We want to be able to let the audience get to know these folks. One of the things about The Avengers, over the last 50 years, is the fun of changing up the gang and bringing in new characters.
Hans Rosling typically would go into the room, and he would ask the audience questions. Often they had to answer them with clickers or raising their hands or something. We get [data] wrong because 50 years ago that wasn't the case and because we haven't had these graphics we don't realize that over the last 30, 40, 50 years things have changed dramatically. And you see how the world has been getting a better, safer, more homogeneous place. It just has.
Keep on complaining about slavery and that was over 40 to 50 years ago. You know, black folks need to move on.
People don't believe or understand that a community can lose hope. You can have a whole community where hopelessness is the norm, where folks don't have faith that things will get better because history and circumstances have proven over 30, 40, or 50 years that things don't get better.
I'm into having a good time and showing people you can have fun. Because for a long time, the West Coast, it wasn't about having fun. It was about gang banging; it just wasn't fun no more. So now I'm bringing fun back.
I wouldn't say I'm changing myself to find a new audience. It's about growing, trying new things. There's a whole other world out there that doesn't know who Prince Royce is.
I don't think I'll ever fully get over losing the city council seat. I don't know how that happened. But it was less than 1 percent out of 50,000 votes. I'd put in six or seven years into changing L.A.
A big part of the fun of working on Superman has been coming up with new characters and concepts to toss in, helping to design their costumes, things like that. And I spent ages coming up with the name 'Fortress of Solidarity,' so I want to get as much use out of it as I can!
I dream about speaking in big forums about issues that need to be spoken about. I dream about helping others who I know and love, helping them realize their dreams. I dream about being able to express myself through acting and writing, definitely. I dream about bringing more realism into the world. Sometimes I just feel like certain things are so glossed over and covered up and swept under the rug and I just want to bring them out.
You have to think about storytelling over the long haul: what is going to engage an audience for, potentially, years and how characters can become deeply involving for an audience.
We have a real culture of thrift. The goal that I had in bringing a lot of the packaged goods folks into Activision about 10 years ago was to take all the fun out of making video games.
There's a level of frustration and anger here in the United States that we're not prosecuting this war, and we're actually in discussions about bringing over Muslim refugees into this country, with a president who's now mocking, you know, the talk radio people, mocking the audience on talk video, mocking the sites like Breitbart, that are bringing up these issues.
For an author, the nice characters aren't much fun. What you want are the screwed up characters. You know, the characters that are constantly wondering if what they are doing is the right thing, characters that are not only screwed up but are self-tapping screws. They're doing it for themselves.
I had invited 50 or 60 peers and friends, most of whom were parents, to see the film [Trust], and I asked about the last scene. It was interesting because it was split right down the middle, 50/50. About half the audience wanted it to end with the very emotional scene between Clive and Liana, and that feeling of realization and catharsis. And, the other half were adamant about keeping that last scene.
Architecture is a living thing. If I want to leave something to the future, it has to be able to change - but retain something of the ethos that we built up over 50 years.
If you're 50 years old or younger, give every book about 50 pages before you decide to commit yourself to reading it, or give it up. If you're over 50, which is when time gets shorter, subtract your age from 100 - the result is the number of pages you should read before deciding whether or not to quit. If you're 100 or over you get to judge the book by its cover, despite the dangers in doing so.
Ribofunk indicates a focus on biology as the upcoming big science in the way that physics was for the last 50 or 100 years. If you look for a biological thread throughout science fiction, you can find it, but it's a very small percentage of the total. That's been changing in the last few years.
This site uses cookies to ensure you get the best experience. More info...
Got it!