A Quote by Jeph Loeb
In terms of whether or not you'll see other heroes along the way, you absolutely will. But, one of the things that makes our Avengers show unique is that this is our cast. We want to be able to focus on this group, much like they did in the movie.
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One of the things that makes this show unique, in terms of an experience, is that when you do a show that has a large cast, scheduling is a very difficult thing.
The gift our enemy may be able to bring us: to see aspects of ourselves that we cannot discover any other way than through our enemies. Our friends seldom tell us these things; they are our friends precisely because they are able to overlook or ignore this part of us. The enemy is thus not merely a hurdle to be leaped on the way to God. The enemy can be the way to God. We cannot come to terms with our shadow except through our enemies.
Human beings are complicated and flawed and unique, but we all have a story to tell. Gone are the days where our lead characters can only look like somebody else. Heroes look like all of us. We see ourselves in each others' stories. We see who we are. We see who we want to be. Sometimes we see who we don't want to be. And through that we have a greater understanding of ourselves and acceptance of each other.
When we think of all the things we want to do with our other half the answer should be simple; we should want to do absolutely everything with them. We should want to experience everything, feel everything, see everything with no one but them by our sides. When we look back on our lives it's not the things we did do with them that we'll regret, it's the things we didn't do.
For the first 10 minutes after you meet them, they have the wattage and charisma of movie stars. Then you have a coffee with them and you realize we're all the same, we're all just people. All of the actors in The Avengers are so nice. Marvel has these code names for projects and the code name for The Avengers was Group Hug. It felt very much like a group hug on set.
We're in the same company as 2NE1 and we get our songs from the same producers, so the influence is natural. Since they've done a lot of things before us, we want to emulate them. But at the same time, we hope there will soon be an opportunity to show our own unique color. We want to succeed with our own unique color.
I think it's one of the secret sauces to our success, if you will, is that our fans are a part of our show. They engage, they chant, they cheer, they boo. There's a problem when they don't react. So, in essence, every live event is like a focus group. So we are getting that real-time feedback from them in the arena.
Unfortunately, sometimes our leaders, for their own political purposes, want us to think in terms of categories and groupings. Our group vs. this group vs. another group. This must end.
Whether people are making narrative cinema or experimental cinematic movie experiences, they all want the biggest screen possible and the quietest room and the most attention to every nuance and detail. Obviously, most people will not see the movie that way, but I can still hope for it, and I'd like to think we will be able to pull it off this time.
Not only do we have the handsomest voice cast out there, along with the very lovely Black Widow, we also have an incredible voice cast, in terms of being able to handle the drama, the fun, the excitement and the promise that Marvel brings to every single one of our projects, which is epic adventure on the human spirit.
One day our descendants will think it incredible that we paid so much attention to things like the amount of melanin in our skin or the shape of our eyes or our gender instead of the unique identities of each of us as complex human beings.
When you're playing a spirit from another dimension, you really can do anything and get as abstract as you want and still have a context that will work within the movie. I wanted Ghost Rider to move in a way where it would be like a bad dream. I thought about cobra snakes, and the way that they will show you their backs and sway in a rhythmic motion and almost lull you to sleep before suddenly attacking. Well, I put that into the movie. And I decided to move my head in the jerky way a praying mantis does. So, I did all these things to give the movie a feeling of otherness.
Each character I play I approach differently and separately. I think Marigold is a simpler character for a sweet little movie, and I'm excited to be part of it. In terms of Heroes it's been such an amazing journey on that show. I love working on it and at this point I know I'm coming to Asia and some of the other cast are going to Europe for the world tour to release the DVD.
I think, in fact, there's a plus and a minus to knowing my prior work, Happiness and so forth. The plus is of course you can see how I play with the characters, the storylines, and the way things play off each other. And the minus is that it makes you a little bit more self-conscious, that you're not able to enter the movie as it exists and lives and breathes, because you're so busy making references, connections that you're not able to release yourself from and take the film on your own terms.
To make a movie, and we can call it a movie or we can call it a piece of art, to make a movie that has that much mass appeal what it is? What is it that makes kids in China want to see that movie [ 'Avatar'] and makes my dad want to see that movie.
In terms of talking with my collaborators as they came onboard - Jeannine Oppewall, our production designer, Dante Spinotti, our cinematographer, and so forth - I said to them, "Let's pretend that this is a place like Honolulu. Let's ignore the fact that all these other movies have been made here for decades and try to come at it with a fresh eye, as if it were an exotic city that people aren't that familiar with. And let's present our own view of it, create a world that's unique to this movie [L.A Confidential].
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