A Quote by Jeremiah Brent
I started out taking any project that I could because you want the work. You want the opportunity to create, and I'm glad I did because it forces you to really get an understanding of your vision and your voice as a designer when you have to be scrappy like that.
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You have sole ownership of your vision. And the Universe will give you what you want within your vision. What happens with most people is that they muddy their vision with “reality”. Their vision becomes full of not only what they want but what everybody else thinks about what they want, too. Your work is to clarify and purify your vision so that the vibration that you are offering can then be answered.
This is so much harder than I ever thought it would be...because the thing is, even if you're just working part-time, your boss is going to expect a full week's worth of work, no matter how understanding she is. That's just the nature of the working world-things have to get done, babies or not. And if you're like me-if you're like any woman who ever did well in school and did well at her job-you don't want to disappoint a boss. And you want to do a good job raising your baby...It's not like you think it's going to be
Fans don't know what they want. Fans are like, 'Oh, I want the stuff that you did in the last album because I really liked it, and if you don't do that, I'm not going to be your fan no more.' Or they'll be like, 'I didn't like that project. He doesn't sound like him on it,' or 'You're wack. You're mainstream now.'
When you admit that you are married, people try to get skeletons out of your closet. They dig into your personal lives and link you with strangers, which could be detrimental. They also want to know details about your marriage, children, and so on. I wanted to keep it private because I only want my work to speak.
When you really want a role and you really want a character, you become quite close to the script and the project, and it is sad when it doesn't go your way. But I've found there's always another one, which will be as good if not better. You can't let your failures bring you down when you're an actor, because then you can't get up.
Hopefully, by the time I do a project, I already have a true understanding and love of what I'm about to do because if I don't, I'm not going to work on that project. I really want to have those connections so I can be truthful to the emotional aspect of what I have to deliver for the story.
The future's so random, and so mobile, there's no way you're going to get to your vision of what you want your community to be just by chance alone. I really believe you have to let people know, to use your voice, to say, 'this is what I like about my place, I want to keep it this way, this is what I think can be improved, this is what I disapprove of.' That's the only way you can have a part in shaping the future.
For the most part, I meet people who are like 'I really like your work. I'm watching your career. I want to see you do well. Keep doing what you do.' I get that so much, and it's so reassuring. I often wish that so many people, who just work normal jobs, could get a pat on the back as much as I do, because it's very complimentary.
I like to really spend the time and figure it out and rehearsal is to try something that doesn't work. It's hard to do that, because you always want to go with your impulse thought and you wonder if that's the one, did that work, you know?
The difference between deafness and any other disability is that there is no way to put yourself in a position of knowing what it would be like because you can't stop yourself from hearing your own breath or your own heartbeat. You can not remove sound entirely from your life. You can get a sense of what being blind is like by closing and covering your eyes which provides a source of empathy because we can all project ourselves to that. But people who think they can project themselves into deafness are mistaken because you can't.
When you have your roster set up different ways, you really just have to examine the roster, find out what their strengths and weakness are and hopefully you take your roster and the vision you want to implement of how you want to play and you can tweak your roster to create that.
If you want to do good research, it's important not to know too much. This almost sounds contradictory but really if you know too much and you get an idea, you will sort of talk yourself out of trying it because you figure it won't work. But if you know just the right amount and you get enthusiastic about your project, you go ahead, you do it and if you're lucky things'll work out.
I think that anyone who is in any way creative or is creating something, whether an architect or fashion designer, I think if you have the opportunity to create something that is fully you, it frees your mind and your spirit and gives you the opportunity to really find yourself.
There are no limits to what you can create for you, because your ability to think is unlimited! But you cannot create other people's lives for them. You cannot think for them, and if you try to force your opinions on others you will only attract like forces to you. So let all others create the life they want.
The scheduling thing is really weird with TV shows. Certain projects haven't been able to work out because of the schedule, so some of it is out of your control. You don't have very many opportunities. There isn't much time, so you want to make sure you're going to be doing something that you really feel good about or that you're going to have a good creative experience doing. You're taking up vacation time from your job, so you want it to be meaningful.
I think everything in your life's your own damn fault and that's my simple philosophy in that, and I think you're broke because you want to be just like you're fat because you want to be or stupid because you want to be or unemployed, it must be because you want to be. Otherwise, it'd be different.
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