A Quote by Jeremiah Brent
I always try to craft spaces around the moments that I imagine people or families having in them.
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In America, where writers are preoccupied with the craft of writing, I always try to introduce this concept of the badly written good story. Turning the hierarchy around and putting passion on top and not craft, because when you just focus on craft, you can write something that is very sterile.
When you have a concussion, one of the symptoms that is common is anxiety. Imagine having the normal amount of anxieties that everybody shares - about life and meeting people in social spaces, whatever. Imagine that being multiplied by 10, 20. And so your worry over people's perceptions of you multiplies.
Delving deeper into character's motivations one thing I always find helpful is to imagine the person as a child, imagine them at a very early stage, prior to having all of the things taken away from them, or all of the habits put onto them that they end up having, and then going from there.
Imagine craving absolutely nothing from the world. Imagine cutting the invisible strings that so painfully bind us: what would that be like? Imagine the freedoms that come from the ability to enjoy things without having to acquire them, own them, possess them. Try to envision a relationship based on acceptance and genuine care rather than expectation. Imagine feeling completely satisfied and content with your life just as it is. Who wouldn't want this? This is the enjoyment of non-attachment.
When you improvise on the spot, people are very reluctant to have soft moments or quiet moments or sad moments because they're trying to fill up the spaces. So they always go towards, "How come you're late?! You're supposed to have my shirt ready! You call this a dry cleaner?!" That's what happens. That's why improvising on the spot gets very dicey.
City have always had families coming to watch them and we should always stick to that, but try to get other people interested too.
Flipping our classrooms into active learning spaces really is important and having these convenient spaces where people feel comfortable.
Virtual Reality is really a new communication platform. By feeling truly present, you can share unbounded spaces and experiences with the people in your life. Imagine sharing not just moments with your friends online, but entire experiences and adventures.
All my main characters are people I'd love to sit around having coffee with. They are people who will tell you honestly about the things that scare them and worry them and trouble them. Because those moments of connection between women-when they really decide to be honest with each other about their lives-are some of the best things in life.
What I do for Make-A-Wish is I make children and families that are up against some pretty tough circumstances, I let them come into our WWE universe, and I do my best to make them feel good. I've seen a lot of kids and a lot of families happy, and I think people are going to watch 'American Grit' and have emotional moments.
As you might imagine, if you're a teenager having a couple of people with microphones and guns always following you around, that could grate on them. But you know, they've handled it with grace and I give Michelle [Obama] most of the credit for how well they've done, but I also just think they are graceful, good young, young women.
I cannot overstate how much a generous spirit contributes to good luck. Look at the luckiest people around you, the ones you envy, the ones who seem to have destiny falling habitually into their laps. If they're anything like the fortunate people I know, they're prepared, they're always working at their craft, they're alert, they involve their friends in their work, and they tend to make others feel lucky to be around them.
I started reading Dickens when I was about 12, and I particularly liked all of the orphan books. I always liked books about young people who are left on their own with the world, and the four children's books I've written feature that very thing: children that are abandoned by their families or running away from their families or ignored by their families and having to grow up quicker than they should, like David Copperfield - having to be the hero of their own story.
I'm always the person that is DJing spaces and moments. I'm crazy about music.
Honestly, when you're writing you try to stay on the story, on the character's mind, trying to throw stuff at them. There is danger, and the scares have to kick in the right places with the drama. And you try not to do too much to try to create those moments. Those moments create themselves.
people themselves are full of tunnels: winding, dark spaces and caverns; impossible to know all the places inside of them. Impossible even to imagine.
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