A Quote by Jeremiah Brent
People are understanding what it means to really create a space that feels like a direct reflection of you and I think with brands like Living Spaces, you can really start to take those chances for the first time.
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People need a space that they can go to make a conference or Skype call. It's important to create those spaces and create a company culture that supports those spaces.
I think that tri [to Ram Bahadur Bomjon] was the first time I'd even seen something that made me think, or really feel: "Ah, I don't know what's really going on in the world - I think I do, and it feels like I do, but whatever is really going on is, de facto, beyond the scope of my comprehension - the best we can do is look for hints." I'd known that intellectually before but that was the first time I really believed it viscerally.
I really like to take the time to build things slowly and surely - to get more grounded. But it never felt for certain, like, "One day people will listen to me!" It was more like, "Perhaps I've got something to say." So it feels fantastic. It's good to take the time to think, to find, to search.
For the most profound experiences in our lives and in the world words are worth nothing. Can you describe love Or death Can you describe what it really feels like the first time you see your child Or the first time your heart gets broken You can try...but it won't come close to describing what it really was or what it really felt like.
Especially, I think, living in any fantasy or science fiction world means really understanding what you're seeing and reading really densely on a level that a lot of people don't bother to read.
I like the communication and trust that comes from a long-term relationship. When you really know people as musicians and as people, you feel you can really count on them. That frees you to take more chances and ... it takes the music to a higher level. It translates into a better product for audiences. There are two levels to these relationships. The first level is being with guys for the first few years, you're getting used to guys - he's got this to offer, he's got that to offer, I don't like this, I do like this. You both praise them and are critical as you get to know one another.
If you are living a life that feels right to you, if you're willing to take creative chances or a creative path that feels like it's mostly in keeping with your sensibilities, you know, aesthetic and artistic, then that's what matters.
I might ask about the first time a person heard a song that they really responded to, like when I asked Mos Def when he first "got" hip-hop and he went into this memory about how hearing someone rap really affected him. He wasn't simply remembering the event. It was almost like he was occupying that space again. When you can really transport an interview subject like that, your readers can feel it and it helps them to connect with the artist.
I spend so much time like living in the past or the future. I mean, I think most people do, really. And the moments when you're really present in your life can be pretty rare, really.
I think it's the strange irony that we make all these life choices before we're 40, because really we shouldn't make any until we're 40. It almost feels like you get a software upgrade and you start to experience life in such a different way, because you just don't suffer fools, you go straight for what means something and what feels good, and you stop caring about pleasing other people.
I like that when you create you really do create with a very small group of people, and in that space, before it goes out to all these people, that's what I love.
I can only wonder what astronauts must feel like or something like that when you're really in the space of silence and you are feeling and breathing in a way that you're really aware of your muscle and bone and the breath and the body and the movement and all of those things that just you take for granted in the urban landscape.
I definitely think being a young girl, there's a time where - like when you're in middle school or when you first start liking boys - you don't really feel comfortable. You remember that time when you first got your period, or when your boobs started coming in, that you were like, 'This is weird.' You have to grow into yourself.
When you really do feel like an alien, and you really do feel like a space creature, and you really do feel you want to experiment and dress up and be different every day, to find what looks best but never stick to one thing... Just the fact that that was offered to those kids during that time is pretty remarkable.
You start to stress yourself out about the people around you. You start to think, like, "What do you really want from me?" And then you forget that you, at some point, asked them for something. At some point you needed them to take you in because you ain't had nowhere to go. And now you turn around and question their loyalty to you, and those were the only people loyal to you. The only people that really loved you are still there, and you tanked on them. I'll never let that happen.
I really like intimate venues because it feels like everyone in the audience is in on all our inside jokes. We could say things and people will catch them. That couldn't happen at a festival because nobody would catch it. I also like that in a smaller space people can be talking to each other and listening to the music; they don't have to be watching you the whole time.
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