A Quote by Jeremih
I grew up in a household in which they'd always play old skool classic R&B love songs - Al Green, Sam Cooke, Marvin Gaye... And my mom has even said that, when I was in her womb, she'd put the headphones to her stomach and play those songs to me!
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I was a big fan of Marvin Gaye, and when my parents were at work, I would get in front of the mirror, put my father's clothes on and pretend I was singing Marvin Gaye songs.
I first heard music while in the womb. My mom tells me she played Tubular Bells with the headphones against her stomach all the time. A bit disturbing as I believe that is the theme to The Exorcist. Maybe she thought she was having Satan's baby.
I sang those old gospel songs for my mother, and she said, is that you? And I said, yes, ma'am. And she came over and put her arms around me and said, God's got his hands on you.
Since I was growing up, I liked love songs - Smokey Robinson, Sam Cooke. That was the kind of songs getting the girls dancing.
I would love to play Janis Gaye in the Marvin Gaye story. If they ever do the Marvin Gaye story, I would love to play Janis - just throwing that out there.
Marvin Gaye is an inspiration to me. He was one of the first Motown musicians that my mom and dad introduced me to, and I always thought it would be a good idea if I was ever an artist, and now I am, to make a record called 'Marvin Gaye.'
And then she said nothing else, for Henry put his arms around her and kissed her. Kissed her in such a way that she no longer felt plain, or conscious of her hair or the ink spot on her dress or anything but Henry, whom she had always loved. Tears welled up and spilled down her cheeks, and when he drew away, he touched her wet face wonderingly. "Really," he said. "You love me, too, Lottie?
My mother was a Swede who grew up in Denmark. When I go there, I visit the street where she grew up and look at her house, which is still there, and the snowberry bush, from which she ate some berries and had to have her stomach pumped.
My favorite artists always documented emotion. Marvin Gaye and Al Green and Sade and Aaliyah.
My mom tells this story that even when I was in the womb, my father played the piano and she sang. So, before I officially got here, I was already surrounded by music. I also like the way my father explains it. When I was about 3-years old, in order to keep me quiet, my father would put me in the bassinet and either put on some music or play the piano. When he started playing, I got quiet and eventually went to sleep. He said by the time I turned 3, I just climbed up on the piano and started playing it with the attitude of I'm gonna play dis here piano.
Initially, the only thing that mattered to me - I was too young to understand the politics of the day - was that there was a woman who was covering the NFL. I asked my mom if I could be a sportscaster when I grew up. My mom was an adventurous spirit herself. Much to my mom's credit, she said, "Yes, you can." It didn't matter to her that no other women were doing it at the time. It didn't matter to her that there was a double standard. It just mattered that her daughter had a dream and she was going to help her pursue that.
I realize how much my life lines up with artists like Marvin Gaye and Sam Cooke. My sound comes from church, but the stories come from actual personal experience, being out there in the streets living life.
Just because I write some songs about bad women, though, that doesn't mean I hate women. I've written songs that show great love and respect for women too. Songs that talk about strong, upstanding women and their pain. I have women working on my music. They understand where I'm coming from. So does my mama. I always play my music for her before it comes out. Why do you think I wrote "Dear Mama"? I wrote it for my mama because I love her and I felt I owed her something deep.
My mother smokes me out. We'll get these long periods of me thinking I'm too busy to call her up or e-mail her, and she'll send me something. My mom's a real whiner. I love her to death, but she always sends me these 'woe is me' things. I think she might be Jewish. I'm not sure. She's Baptist-Jewish, which is a double whammy.
If she says goodbye perhaps adieu. Adieu - like those old time songs she sang. Always adieu (and all songs say it). If she too says it, or weeps, I'll take her in my arms, my lunatic. She's mad but mine, mine. What will I care for gods or devils or for Fate itself. If she smiles or weeps or both. For me.
A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.
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