A Quote by Jeremy Abbott

I have great artistry, I can spin well, I have good footwork, and I can jump. I can do the quad jump, and I've done it multiple times in competition. It's definitely a jump that I have in my arsenal. I like to think of myself as the complete skater.
When I was a kid, I would do stupid things on my bike. I'd jump any ramp, I'd jump over people, I'd jump over things - always crashing, never hurting myself badly but always wanting to take physical risks.
When I was a kid, we played a jump rope game called double Dutch - where you had to jump over two ropes swinging in opposite directions. Picking just the right moment to jump in was a practiced art form.
I’ll spend my life training just for the moment I have my chance at you. I’ll wait until you think I’ve forgotten today. I’ll wait until you think it was just a dumb guild rat’s threat. After I’m a master, you’ll jump at shadows for a while. But after you jump a dozen times and I’m not there, you won’t jump just once, and that’s when I’ll be there. I don’t care if you kill me at the same time. I’ll trade my life for yours.
I hope everyone can give the audience that real, true experience. But Mandy [Moore] and I, we definitely jump decades, and I think trying to find a base look, so that I can go back to the Eighties, I can jump to the Nineties, it was like, "All right, Milo, you're living in a moustache for a little while." Which I'm perfectly fine with.
You've got to respond to the fans, and play well, or people will jump on you. They'll read something and jump on you.
I never felt the urge to jump off a bridge, but there are times I have wanted to jump out of my life, out of my skin.
When the world says, 'Jump,' you gotta jump. It's like me moving to America when I was 29. I just did it. And now it's a home. You can't plan those things.
I don't think anyone is 'born' an entrepreneur. It is not a genetic thing. But you do need self-confidence, guts and a relentless attitude to life-it's a24/7 treadmill, not a jump-on, jump-off routine.
Some coaches prefer players who will just do whatever he tells them to. It's like, if you're at school with a load of 10-year-old boys and you tell them to jump, everyone will start to jump. But the intelligent boy will ask, 'Why should I jump? Why?' That can be difficult for a lot of coaches, and I understand that.
I already accepted that I can't jump no more. I'm not as fast as I used to be. I accepted that already. That's where you become more smart, make that first step or two before that quick player can get there. I gotta make this jump shot, so I'll give a pump fake because I know that he can jump higher than me.
Dancers are always striving for perfection. A great dancer never achieves it: you always want to do another turn, a higher jump,a more difficult acrobatic jump.
I don't want to jump off the roof or jump for joy depending on my movie reviews, or whether it makes money. I think the larger, more meaningful things are family and the people you love.
When you have an audience standing and screaming the entire way through the short program and cheering every element you do, whether it's footwork, or spin, or a jump, to have that kind of emotion coming at you from every direction in the building, it's the most amazing sensation you can get as a sportsman.
I'm a hop-around kind of guy. I jump into hobbies, and I jump out of them.
Heights are a problem for me. I'm not a brave flier and I'd never jump out of a plane or do a bungee jump.
I don't jump in real life, why would I jump in a photo?
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