A Quote by Jeremy Clarkson

Like every big organisation these days, the BBC is obsessed with the wellbeing of those who set foot on its premises. Studios must display warning notices if there is real glass on the set, and the other day I was presented with a booklet explaining how to use a door. I am not kidding.
There is an honourable tradition in British public life that those charged with authority at the top of an organisation should accept responsibility for what happens in that organisation. I am therefore writing to the prime minister today to tender my resignation as chairman of the BBC.
I am so happy, each and every day that I come to set. Some days, I'll be there 12 hours, and it feels like five minutes have gone by.
This big part flies off on the floor. The other part goes like this and lands in my foot! Standing up! It's standing in my foot! Right in the side of my foot. The flute glass. I think I'm like in one of my own pictures.
As individuals die every moment, how insensitive and fabricated a love it is to set aside a day from selfish routine in prideful, patriotic commemoration of tragedy. Just as God is provoked by those who tithe simply because they feel that they must tithe, I am provoked by those who commemorate simply because they feel that they must commemorate.
Something must be done when you find an opposing set of desires of this kind well to the fore in your category of strong desires. You must set in operation a process of competition, from which one must emerge a victor and the other set be defeated.
You must be careful how you walk and where you go, for there are those following you who will set their feet where yours are set.
[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.
Even if you don't become a professional athlete, the experience of working with a team, knowing how to set goals, and working every day to figure out how to accomplish those goals definitely gives you confidence to apply those same characteristics to other life challenges.
I know that if I went to other studios, like in Vancouver, that those are set up to be as professional and as true, so it's just a different flavour, it's a different sound, but I think both have their place.
I do think that the days of gathering around a television set that functions merely as a television set, to receive a live broadcast of some networked programming, those days are probably numbered.
Interestingly, I'm more closed on set than I am off set. On set, I'm closed. I don't want input. I want to concentrate on what I'm doing with this other person. But outside of that, I'm open. I'm everybody's friend, unless they don't like me.
We set the town on fire and burned down every house as a warning to other small towns along the river.
When you're a lead role, I'm learning that you set a tone for the movie in a way, like a director does, or like other actors do. But it seems like you set a mood on set.
I really believe that the raw ingredient of any creative business is the set of experiences that the team has, the set of skills. I think a simple fact is that if you have a different set of experiences based on how you grew up or how other people perceive you, or if you have a different set of skills, that will produce a better company.
Being on 'Glee' was amazing. I remember my first day on set, my first day I arrived to the set I was in my trailer and all of the actors came and banged on my door - Lea Michele, Chris Colfer, Amber Riley, Naya Rivera. They all welcomed me with open arms, so it was a great experience. It felt like family, and I miss them a lot over there.
When you're on set, the crew are like your family because you see them every day, six days a week.
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