A Quote by Jeremy Clarkson
If you're writing, it means getting up and writing all day, and if you're filming, it's getting up and filming all day. I get up, go to my computer, write, turn it off, and go to bed. That is a Clarkson day.
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I've tried watching shows before while I'm filming and it doesn't go good because I binge-watch all night and then I wake up with like one hour of sleep on my filming day.
A typical workday for me is getting up at about 5:00, 5:15 in the morning, getting some coffee or tea as quickly as possible, and then getting to my desk. And ideally, I'll start writing around 5:30, 5:45, and I'll write for three, four hours, and then I'll take a break, and read over what I write. Maybe about lunchtime, I'll go exercise or get out into the day. Then I'll either read over what I wrote the day before and quit work around 3:00 or 4:00 in the afternoon and spend some time with my kids.
In winter I get up at night
And dress by yellow candle-light.
In summer quite the other way,
I have to go to bed by day.
I have to go to bed and see
The birds still hopping on the tree,
Or hear the grown-up people's feet
Still going past me in the street.
And does it not seem hard to you,
When all the sky is clear and blue,
And I should like so much to play,
To have to go to bed by day?
If you're a night person you can barely get out of bed in time to get to work or get your kids off to school. You're at your most productive and creative much later in the day, and for you, something like getting up early to go for a run is not going to set you up for success because you're not a morning person.
A good day's writing, when I turn off my computer after I know that I've written okay, or as well as I can write, that's a day well spent.
I get very caught up in the day-to-day and immersed in the scenes as they unfold. It's harder for me, as I'm filming, to see the larger story.
Writing is incredibly hard. But I want to do it. That said, I make it the top priority in every day, which for me means the first hours after getting out of bed in the morning. I've been doing it enough years now that I don't even think about waiting for my muse to show up, I just get to work.
I wake up fairly early every day, by 8, for sure. Sunday is a lighter writing day than the weekdays, but I still wake up and write for about an hour, beginning right around 8. I definitely have coffee first, and then I start writing. I do think it's kind of hard to get the right level of concentration without coffee.
To write three series a year you only need to commit to writing 10 pages per day, or editing 50 pages of text per day. Plus, writing is my job, and I need to write to eat, so I'm highly motivated to get up and get to work!
On the day of the game you get there quite early, about 10 o'clock for a 3 o'clock kick-off, because you do a little bit of filming early on. You need to meet the crew and they need to have time to get a cup of tea and all those things the crew like to do before they go out filming.
I was a swimmer growing up, which meant being in the pool at 5 a.m. You get used to it. You get up at 4:15 a.m.; my parents, who were amazing, they were up at 4:15 a.m. or earlier to drop me off at the pool and then go to work. I eventually stopped doing that, but the pattern remained. I like getting up really early. It feels like my time of day.
We were filming the West Wing on the set one day in DC and Madeleine Albright comes by the set. I mean, when does that happen? You turn around and there's the former Secretary of State just sitting there. After the Clinton administration finished we were filming right outside the White House and John Podesta comes walking up while we're out there filming. Just strolling by the set - the former Chief of Staff! Things like that would happen all the time.
It's easy for me not to go to Mass on the road. But I've made a fundamental decision. I'm going to be dedicated. I'm going to make the time. I'm going to get up, if that means getting up at seven on a Sunday morning before a day game and do it, I'm going to do it.
I learn the lines as soon as I can and then the challenge really, for filming, is to show up and be there and respond to what's around you. That's where the gold dust is. It's really strange, no amount of preparation will help you with the magic of spontaneity on the day [of filming].
We go to the office every day when we're writing - or supposed to be writing. It's not always productive, and there's a lot of procrastinating, just staring at the wall, like any other writing. But we just make ourselves go to the office every day for more or less the whole day.
When I'm really involved or getting towards the end of a novel, I can write for up to ten hours a day. At those times, it's as though I'm writing a letter to someone I'm desperately in love with.
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