A Quote by Jeremy Clarkson
Column writing is like gas - it fills the available space.
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Writing 'Animal Talk' column in MetroPlus gave me immense satisfaction. I quite enjoyed writing the column.
Books, in the plural lose their solidity of substance and become a gas, filling all available space.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
Writing a column, a weekly column for the New York Times, is really tough, and I wasn't prepared for the demands that that involved.
Then I became a mother and it just fills every space, that isn't filled with something else important. It's just like this incredible balloon that blows up and fills life up.
You honor your writing space by recovering, if you are an addict. You honor your writing space by becoming an anxiety expert, a real pro at mindfulness and personal calming. You honor your writing space by affirming that you matter, that your writing life matters, and that your current writing project matters. You honor your writing space by entering it with this mantra: “I am ready to work.” You enter, grow quiet, and vanish into your writing.
I don't notice any sympathy for them in [ Nicholas Kristof] column. If you're writing a column saying the people for Trump are Nazis and Klansman and North Korean dictators.
I had written a lot about my dog dying before. I wrote a newspaper column about it and it turned out to be the most popular column I'd ever written. That and the lame Joni Mitchell column I did. But the dog column, my god! People love dogs. Anybody who writes regularly should know, when in doubt: dogs! If you're a columnist, when in doubt, write a column about the culture of narcissism - like a scolding column about the culture of narcissism - or write something about dogs. That's the homerun in my take.
Whatever an artist's personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists. An artist is someone who makes art too. He did not invent it. How it started — "to hell with it." It is obvious that it has no progress. The idea of space is given him to change if he can. The subject matter in the abstract is space. He fills it with an attitude. The attitude never comes from himself alone.
Colm Feore. Newspaper column, Norwegian water. Column of steel, column of virtue, just for God's sake, Colm.
My mother would write letters when I was away at camp and say, 'There's an Ann-shaped space around the house. Nobody fills an Ann-shaped space except an Ann.' I'm convinced we all have a God-shaped space in us, and until we fill that space with God, we'll never know what it is to be whole.
'Pain' is more indicative of what I like to do. I'm lyric-conscious. I like to tell stories, give advice. Instead of writing a 'Dear Abby' column, I do it on records.
I'm lyric conscious. I like to tell stories, give advice. Instead of writing a 'Dear Abby' column, I do it on records.
I had a column for the 'Seattle Weekly' for five years, and there was one column that was called 'How To Be A Man,' and it was kind of tongue in cheek; it was really tongue in cheek. And I got a book deal from that column.
They know that the column resonates in the community. They know that people like it, and yet they don't have room for one column once week that consistently got it right.
Consider a cask filled with a highly compressed gas. If we open one of its taps the gas will escape through it in a continuous flow, the elasticity of the gas pushing its particles into space will continuously push the cask itself. The result will a continuous change in the motion of the cask. Given a sufficient number of taps (say, six), we would be able to regulate the outflow of the gas as we liked and the cask (or sphere) would describe any curved line in accordance with any law of velocities.
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