A Quote by Jeremy Denk
It's no accident that Op. 111 attracts literary attention. Though it's music, it doesn't quite behave like it. It seems to be charged with meaning, to communicate in symbols, ciphers, clues.
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There's definitely been a focus on the literary aspects of my music, and I always get a little cringey because I don't feel like I'm particularly literary. There's a sort of academic label that's put on me that seems inaccurate.
Real shapes and real patterns are things you would observe in nature, like the marks on the back of a cobra's hood or the markings on a fish or a lizard. Imaginary shapes are just that, symbols that come to a person in dreams or reveries and are charged with meaning.
I like the idea of politically charged music a lot, but it usually seems to be preaching to the choir and ineffective.
I think we all look for clues that we are not utterly alone... Clues we find in literature and paintings and music and even someone’s eyes; clues that demonstrate that someone else has felt the same indescribable feelings, seen the same things or passed by the spot even if it was by candlelight three hundred years ago. It means everything, like finding footprints in the sand of a deserted island.
A literary work can only be received through symbols, through concepts - for that is what words are; but cinema, like music, allows for utterly direct, emotional, sensuous perception of the work.
The motion of the mind is conveyed along a cloud of meaning.~ There is this paradox that we get to meaning only when we strip the meaning from symbols.
Things on a very small scale behave like nothing that you have any direct experience about. They do not behave like waves, they do not behave like particles, they do not behave like clouds, or billiard balls, or weights on springs, or like anything that you have ever seen.
Our choices are quite different: what attracts Salman and Shah Rukh are, I think, quite different from what attracts me. So in that sense, we are quite different, but I think we are fortunate to have had the kind of success that we've had.
One main reason why the separate nature of the science of operations has been little felt, and in general little dwelt on, is the shifting meaning of many of the symbols used in mathematical notation. First, the symbols of operation are frequently also the symbols of the results of operations.
I don't think that there's a guy behind the desk at every newspaper saying "No, woman" and sending her on her way, but that's what's systemic about it, right, like that people don't quite realize that maybe they're attracted to a male op-ed more than a female op-ed, or because of networking they know this person from going out to a bar with them.
God is a novelist. He uses all sorts of literary devices: alliteration, assonance, rhyme, synecdoche, onomatopoeia. But of all of these, His favorite is foreshadowing.And that is what God was doing at the Cloisters and with Eudora Welty. He was foreshadowing. He was laying traps, leaving clues, clues I could have seen had I been perceptive enough.
The music industry over there seems to treat America like it's one territory even though they got offices in different parts of America - they're still quite sort of 'America is the territory.'
The music is the imperative. It has the upper hand. I think all music, even though it's an abstraction, does motivate a particular meaning. Then it's the job of the musician to honor that meaning and to somehow implement lyrical material that can accommodate that emotional environment.
The following are the universally fundamental laws of literary communication: 1. one must have something to communicate; 2. one must have someone to whom to communicate it; 3. one must really communicate it, not merely express it for oneself alone. Otherwise it would be more to the point to remain silent.
I like conventions. I like meeting and greeting. I'm perched on that edge where I'm getting more attention than I quite know what to do with, though.
An innocent person is really like a magnet and it attracts, he attracts, the people towards himself, just like a flower attracts a bee towards itself.
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