A Quote by Jeremy Fisher

I don't know if it's true that most people don't know this, but the reason that I play music is because of my favourite band of all time - AC/DC. — © Jeremy Fisher
I don't know if it's true that most people don't know this, but the reason that I play music is because of my favourite band of all time - AC/DC.
I don't know any Beatles songs. My dad never listened to Elvis or Sting or Bowie. Any band name that's on a t-shirt, I probably won't know their music, like AC/DC or whatever. I don't know what that is. As a kid, I would sing along to artists like Tania Maria.
I'd still stand in line all day to get into an AC/DC show, because that was the one show when I was younger that kind of changed my life. Because it was a little wrong. I think I was 14 or 15, first concert without the parents, you know, and they were all worried because we were going to an AC/DC show, and it was an amphitheater.
To me as a fan, as a die-hard AC/DC fan, Brian Johnson is the reason I discovered AC/DC.
I think what AC/DC does best is play live. That's when everything comes together. Even after you make a studio album, when you go out and play live, that's when you learn what being in a band is all about.
A lot of people say, 'AC/DC - that's the band with the little guy who runs around in school shorts!'
I am not saying I never hope of ever playing with AC/DC again but, then again, is it even AC/DC any more? No Bon's beautiful voice. No Malcolm. No Brian.
My role in AC/DC is to keep time and to drive the band as much as I can. That's a drummer's role anyway.
AC/DC is a tough gig for everyone in the band.
Phil Rudd from AC/DC was someone I really liked a lot... Not because I was dazzled by his playing ability - he was just a rock, y'know?
I couldn't write an AC/DC song. I don't know how to do that.
I listen to everything from, you know, Buddha Bar groove music to international music, Italian music, like Eros. I like very sexy, funky music like Maxwell, Angie Stone, R&B...In my CD player, I've probably got Maxwell, Beyonce, Enrique Iglesias, and kid music...maybe some AC/DC. I mean a little bit of everything. It depends on what I'm doing.
We always try to get new songs. That's what AC/DC has always been about. You can listen to what we do, and you can go, 'Well, it's AC/DC, but it's a new song.' So that's what we've always tried to achieve. So we've always got that style.
I listen to older music like AC/DC.
I like the old school heavy metal bands like AC/DC and Aeromith. I like that type of music. As the director, I tried to influence the type of music the bands in the movie would play.
The best AC/DC cover I've heard? There was an all-girl cover band in America, the Hell's Belles.
I think my music being referred to as "cinematic" has a lot to do with people just not being used to listening to instrumental music without watching a film. I'm still pretty convinced of that. You'll play Chopin in place of something average and like, "Wow, that'd be great in a film." People say it every time, swear to God. I don't think people have a good relationship with instruments and music anymore. But it's definitely visual; I started writing with this band because of the pictures. I can't really deny it either, you know?
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